The Lute Society of America   

Journal of the Lute Society of America

Available Back Issues – June, 2007

1960s and 70s

Volume I (1968)
8.5 x 11”
photocopy, stapled flat.
$5.00
Julia Sutton, “Jean-Baptist Besard, Renaissance Gentleman”
Alice Artzt, “The Third Lute Suite by Bach, Three Manuscripts and Their Implications”
Joan Myers, “Vihuela Technique”
Thomas Forest Kelly, “Notes on the Jane Pickering Lute Book, with Special Emphasis on the Music for Two Lutes”
Volume II (1969)
8.5 x 11”
photocopy, loose sheets.
$5.00
Lyle Nordstrom, “Ornamentation of Flemish Chansons Found in Lute Duets of Francesco Spinacino”
Stanley Buetens, “The Instructions of Alessandro Piccinini”
Joan Myers, “Performance Practice Indications in Adrianssen’s Lute Ensemble Music”
Stanley Buetens, “Nicolas Vallet’s Lute Quartets”
Suzanne Bloch, “Saga of a Twentieth-Century Lute Pioneer”
Toyohiko Satoh, “A Method for Stringing Lutes”
Reviews
Volume III (1970)
8.5 x 11”
reprint, stapled flat.
$5.00

 Peter Danner, “Dd.4.23 or English Cittern Music Revisited”
H. Bruce Lobaugh, “Adrian Denss’ Florilegium (1594)”
Joan Myers, “Caccini-Dowland: Monody Realized”
Richard Hudson, “Chordal Aspects of the Italian Dance Style 1500–1650”
Stanley Buetens, “On Fretting a Lute”
Reviews
Volume IV (1971)
8.5 x 11”
photocopy, stapled flat.
$5.00
Carol MacClintock, “Notes on Four Sixteenth-Century Tuscan Lutebooks”
Adrienne Simpson, “The Lute in the Czech Lands, An Historical Survey”
Richard Hudson, “Music in Italian Tablatures for Five-Course Spanish Guitar”
Mary Cyr, “Song Accompaniments for Lyra Viol and Lute”
Stanley Buetens,  “Left-Handed Fingerings of Difficult Single-Line Passages”
Reviews
Volume V (1972)
8.5 x 11”
reprint, stapled flat.
$5.00		 Peter Danner, “Before Petrucci:  The Lute in the Fifteenth-Century”
Robert Strizich, “Ornamentation in Spanish Baroque Guitar Music”
Peter Danner, “Bibliography of Guitar Tablatures 1546–1764”
Daniel Heartz, “Mary Magdalene, Lutenist”
Michael Loraine, “Description of a Lute”
Lyle Nordstrom “The Cambridge Consort Books”
Dániel Benkö, “A Hungarian Lute Manuscript”
Reviews
Volume VI (1973)
8.5 x 11”
photocopy, loose sheets.
$5.00		 Joscelyn Godwin, “The Survival of the Theorbo Principal”
Jane Pierce, “Hans Gerle:  Sixteenth-Century Lutenist and Pedagogue”
Eugen M. Dombois, “Correct and Easy Fret Placement”
Peter Danner, “An Update to the Bibliography of Guitar Tablatures”
Stanley Buetens, “Theorbo Accompaniments of Early Seventeenth-Century Italian Monody”
Lyle Nordstrom, “Two New English Lute Duets”
Douglas Alton Smith, “Baron and Weiss Contra Mattheson:  In Defense of the Lute”
Reviews
Volume VII (1974)
8.5 x 11”
photocopy, loose sheets.
$5.00		 Peter Danner, “Giovanni Paolo Foscarini and His ‘Nuova Inventione’”
Thomas F. Heck, “Lute Music:  Tablatures, Textures and Transcriptions”
Robert Lundberg, “Sixteenth- and Seventeenth-Century Lute-Making”
Robert Strizich, “A Spanish Guitar Tutor:  Ribayaz’s Luz y Norte Musical (1677)”
Eugen M. Dombois, “Varieties of Meantone Temperament Realized on the Lute”
Joscelyn Godwin, “Eccentric Forms of the Guitar, 1770–1850”
Reviews
Volume VIII (1975)
8.5 x 11”
photocopy, loose sheets.
$5.00		 Ruth K. Inglefield, “The Bernhard Jobin Lutebooks (1572–1573)”
Michael Saffle, “Lutes and Related Instruments in Eight Important European and American Collections”
Douglas Alton Smith, “The Instructions in Matthaeus Waissel’s Lautenbuch”
David B. Lyons, “Nathaniel Diesel, Guitar Tutor to a Royal Lady”
Reviews, Communications
Volume IX (1976)
8.5 x 11”
photocopy, loose sheets.
$7.50 		John M. Ward, “The So-Called ‘Dowland Lute Book’ in the Folger Shakespeare Library”
Lyle Nordstrom, “The Lute Duets of John Johnson”
Michael Saffle, “Lutes and Related Instruments in Eight Important European and American Collections (continued)”
Richard T. Pinnell, “Alternate Sources for the Printed Guitar Music of Francesco Corbetta (1615–1681)”
Douglas Alton Smith & Peter Danner, “‘How Beginners...Should Proceed:’  The Lute Instructions of LeSage De Richee ”
Reviews, Communications
Volume X (1977)
6 x 9” paperbound.
$7.50 		John M. Ward,  “A Dowland Miscellany:  Biography, Music, Index of Works, Background Material”
Volume XI (1978)
8.5 x 11”
photocopy, loose sheets.
$7.50 		Marc Southard & Suzana Cooper, “A Translation of H. Newsidler’s Ein Newgeordnet Kunstlich Lautenbuch”
Susan G. Sandman, “Thomas Robinson’s Interpretive Left-Hand Fingerings for the Lute and Cittern”
Douglas Alton Smith, “The Lutes in the Bavarian National Museum in Munich”
Mark Lindley, “Luis Milán and Meantone Temperament”
Joseph Weidlich, “Battuto Performance Practice in Early Italian Guitar Music (1606–1637)”
Reviews, Communications
Volume XII (1979)
6 x 9”
paperbound.
$7.50		 Paul Beier, “Right-Hand Position in Renaissance Lute Technique”
Mirco Caffagni, “The Modena Tiorba Manuscript”
Lyle Nordstrom, “A Lute Duet of John Dowland”
John Griffiths, “The Lutes in the Museo Municipal de Musica in Barcelona”
Kurt Rottmann, “The Resurrection of the Lute in Twentieth-Century Germany”
Josef Klima, “The D Minor Lute in Central Europe After the Second World War”
Reviews, Communications

 

1980s

Volume XIII (1980)
6 x 9”
paperbound.
$7.50 		William F. Prizer, “Lutenists at the Court of Mantua in the Late Fifteenth and Early Sixteenth Centuries”
Gerhard Christian Söhne, “On the Geometry of the Lute”
Josef Klima, “In Memoriam Emil Vogl (1901–1977)”
Emil Vogl, “Johann Anton Losy:  Lutenist of Prague”
Reviews
Volume XIV (1981)
6 x 9”
paperbound.
$7.50 		Emil Vogl, “Lute Music of Johann Anton Losy”
James Meadors, “Dowland’s ‘Walsingham’”
Kevin Mason, “F. Campion’s Secret of Accompaniment for the Theorbo, Guitar and Lute”
Reviews
Volume XV (1982)
6 x 9”
paperbound.
$7.50 		John O.Robison, “Ornamentation in Sebastian Ochsenkun’s Tabulaturbuch auff die Lauten”
John.M. Ward, “Changing the Instrument for the Music”
Craig H. Russell, “Santiago de Murcia:  The French Connection in Baroque Spain”
Tim Crawford, “New Sources of the Music of Count Losy”
Reviews and Communications
Volume XVI (1983)
6 x 9”
paperbound
$7.50 		Communications:
Monica Hall, “Santiago de Murcia and François le Cocq”
Craig H. Russell, “François le Cocq’s Influence on Santiago de Murcia:  Problems with Dates, Sources and Recomposition”
—————
David. Buch, “On the Authorship of William Lawes’s Suite for Two Lutes”
Jonathan Glixon, “Lutenists in Renaissance Venice:  Some Notes from the Archives”
Joël Dugot, “Some Lutes in Paris Museums, Part 1”
C.P. Coldwell, “Angelo Gardano’s Balletti Moderni and its Relations to Cesare Negri’s Le Gratie D’Amore”
Victor Coelho, “G.G. Kapsberger in Rome, 1604–1645:  New Biographical Data.
Volume XVII & XVIII (1984/1985)
6 x 9”
paperbound.
$12.50 		J. Michael Allsen, “A Chitarrone and Lute Manuscript for Stefano Pignatelli”
John O. Robison, “Elias Mertel’s Hortus Musicalis Novus and Progressive Tendencies in the Late Renaissance Lute Fantasia”
Francesca Torelli, “Pietro Paolo Melii, Musician of Reggio Emilia”
Florence Getreau, “The Lute Collection of the Paris Museum of Musical Instruments:  Its Character, Formation and Development”
Joël Dugot, “Some Lutes in Paris Museums, Part 2”
Miscellanea
Richard d’A. Jensen, “A Computerized Approach to the Early Italian Lute Ricercar”
Hiroyuki Minamino, “Transformation in Intabulation”
anonymous, “Studies in the Lute and Its Music”
Reviews, Communications
Volume XIX (1986)
6 x 9”
paperbound.
$9.00 		Paul Martell, “Parody Versus Paraphrase in G.P. Paladino’s Fantasia on Alcun non puo saper”
Erik S. Ryding, “Collaboration Between Campion and Rosseter?”
Daniel T. Fischlin, “‘The Consent of Speaking Harmony:’  The Literary Aesthetics of the English Air”
Miscellanea
Kenneth Sparr, “A Poet’s Description of the Lute Playing of Silvius Leopold Weiss, and a Possible Link Between Weiss and David Kellner”
Charles Turner, “Arnolt Schlick’s Maria Zart for Lute and Voice:  Background, Sources, Performance
Book Reviews, Reviews of Music, Communications
Volume XX & XXI (1987/88)
6 x 9”
paperbound.
$16.00 		Diana Poulton, “The Early History of the Lute”
David Nutter, “An Intabulation for Contrabass Lute?”
Daniel T. Fischlin, “‘The Highest Key of Passion:’  Inexpressibility and Metaphors of Self in John Dowland’s First Book of Songes or Ayres”
Wallace J. Rave, “Remarks on Gallot Sources:  How Tablatures Differ”
Charles Jacobs, “Melchior Neusidler:  Intabulation and Transcription”
David J. Buch, “Texture in French Baroque Lute Music and Related Ensemble Repertories”
Reviews of Books and Music, Communications
Volume XXII (1989)
6 x 9”
paperbound.
$10.00 		John Griffiths, “At Court and at Home with the Vihuela de Mano:  Current Perspectives on the Instrument, its Music, and its World”
Todd Lane, “The Lute Quartets in the Thysius Lute Book”
Reviews of Books and Music, Communications

 

1990s – 2000s

Volume XXIII (1990)
6 x 9”
paperbound
$16.00 		John Griffiths, “Une fantaisie de la Renaissance:  an Introduction”
Stefano Mengozzi, “‘Is this Fantasy a Parody?’ Vocal Models in the Free Compositions of Francesco da Milano”
Jean-Michel Vaccaro, “The Fantasia sopra . . . in the Works of Jean-Paul Paladin”
Dinko Fabris, “The Tradition of the ‘La sol fa re mi’ Theme from Josquin to the Neapolitans through an Anonymous 4-part Ricercar”
Robert Judd, “Cabezon, Malheur me bat, and the Process of Musical Reference”
Piotr Pozniak, “Problems of Tonality in the Ricercars of Spinacino and Bossinensis”
Reviews of Books
Volume XXIV & XXV (1991/92)
6 x 9”
paperbound
$16.00 		Franco Pavan, “Francesco Canova and his Family in Milan:  New Documents”
Gordon J. Callon, “Songs with Theorbo by Charles Colman and his Contemporaries in Oxford, Bodlean Library Ms Broxbourne 84.9 and London, Lambeth Palace Library”
Andrew Taylor, “The Sounds of Chivalry:  Lute Song and Harp Song for Sir Henry Lee”
David J. Buch, “On Dating the Lute Music in La Rhetorique des dieux:  New Evidence from Watermarks”
Reviews; Communications
Volume XXVI & XXVII (1993/94)
6 x 9”
paperbound.
$16.00 		Juan Ruiz Jiménez, “Luis de Narváez and Music Publishing in Sixteenth-Century Spain”
Walter Aaron Clark, “Luis de Narváez and the Intabulation Tradition of Josquin’s Mille Regretz”
Robert E. Lawrence, “Science, Lute Tablature, and Universal Languages:  Thomas Salmon’s Essay to the Advancement of Musick (1672)”
James Bailey, “Regular Meantone Temperaments Applied to Francesco da Milano”
Hiroyuki Minamino, “A Monkey Business:  Petrucci, Antico, and the Frottola Intabulation”
Mariagrazia. Carlone, “Il Divino Francesco:  International Symposium on Francesco da Milano”
Volume XXVIII/XXIX (1995/96)
6 x 9”
paperbound.
$20.00 		Dawn Astrid Espinosa, “Juan Bermudo ‘On Playing the Vihuela’ (‘De tañer vihuela’) from Declaración de instrumentos musicales (Osuna, 1555):  a New Translation with Commentary.”
Volume XXX (1997)
6 x 9”
paperbound.
$20.00 		Chris Henriksen, “A Possible Likeness of John Dowland”
Douglas Alton Smith and Mirco Caffagni, “Autobiography of Pietro Bertacchini”
George Torres, “French Lyricism in 17th century pièces de luth”
Per Kjetil Farstad, “Life and Works of Ernst Gottlieb Baron”
Volume XXXI (1998)
6 x 9”
paperbound.
$20.00		 Douglas Alton Smith, “A Biography of Silvius Leopold Weiss”
Frank Legl, “Between Grottkau and Neuburg:  New Information on the Biography of Silvius Leopold Weiss”
Volume XXXII (1999)
6 x 9”
paperbound
$20.00 		Robert Lundberg, “The German Baroque Lute, 1650 to 1750”
Robert Lundberg, “Weiss’s Lutes:  The Origin of the 13-Course German Baroque Lutes”
Jiří Čepalák, “Lutes in the Lobkowicz Collection, Nelahozeves Castle, Bohemia”.
Volume XXXIII (2000)
6 x 9”
paperbound
$20.00		 Jerzy Żak, “The Sobieskis in Silesia and in Rome:  Weiss’s First Royal Patrons”
Francesca Vacca, “Weiss In Rome (1712–1713):  First Archival Findings”
Claire Madl, “Johann Christian Anthoni von Adlersfeld:  The Original Owner of the Weiss London Manuscript”
Václav Kapsa and Claire Madl, “Weiss, the Hartigs and the Prague Music Academy:  Research into the ‘profound silence’ left by a ‘pope of music’”
Douglas Alton Smith, “Weiss and the 1719 Saxon-Hapsburg Wedding Festival in Dresden”.
Volume XXXIV (2001)
6 x 9”
paperbound
(inquire) 		Mariagrazia Carlone, “A Trip to Venice in 1530 by Francesco da Milano”
Richard Falkenstein, “Perino Fiorentino (1523–1552), His Life and Works”
Volume XXXV (2002)
6 x 9”
paperbound
(inquire) 		Eszter Fontana, “The Case of the Missing Lute”
Tim Crawford, “S. L. Weiss's Use of the Lower Bass Courses”
Klaus Martius, “Sebastian Schelle and the Swan-Necked Lute”
Wolfgang Wenke, “The Conservation, Restoration and Reconstruction of S. L. Weiss's (?) Theorbo”
Eszter Fontana, “The Edlinger Lutes in Leipzig and Frankfurt am Main”
Klaus Martius, Review of Violin and Lute Makers of Venice:  Liuteria Veneziana 1640-1760 by Stefano Pio

These back issues may be purchased from the LSA librarian, Anne Burns.  Please contact her for information about postage charges before sending payment.
    Anne Burns, LSA
    8175 S. Eston Rd.
    Clarkston MI 48348
e-mail: rmburns@Oakland.edu

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Last updated 7 June AD 2007 – DFH.