The Lute Society of America Quarterly

Volume XXXIV, 1999

Table of Contents, Issue No. 1

• Announcements ~ 3
• The Viola da Mano in Renaissance Italy:  A Synopsis, by Hiroyuki Minamino ~ 5
• An Introduction to Late Seventeenth-Century Harmony for Theorbo, by Gus Denhard ~ 10
• Fantasie sur un théme d’Heinrich Schütz pour luth à 8 choeurs conclusion (tablature), Guy Morançon ~ 12
• Fantasie sur un théme d’Heinrich Schütz pour luth à 8 choeurs conclusion (manuscript, pitch notation), Guy Morançon ~ 22
• Reviews
  • Op. 1 for the Solo Baroque Lute, by Adam Falkenhagen, John Schneidermann, lute (Titanic Ti-237), reviewed by Thomas Schall ~ 27
• Upcoming Events, by Dawn Culbertson ~ 28
• New Members & Address Changes ~ 30
• Classifieds ~ 31

Table of Contents, Issue No. 2

• Announcements ~ 3
• Reconstructing the Dresden Lute Duos of Silvius Leopold Weiss, by Karl-Ernst Schröder ~ 5
• The Language of the Basso-Continuo:  Some Practical and Theoretical Considerations, by Scott Witzke ~ 10
• Music
  • Jack’s Health, anon., edited by Karen Meyers ~ 11
  • The Twitcher, anon., edited by Karen Meyers ~ 12
  • The Dusky Night, anon., edited by Karen Meyers ~ 12
  • Sonata C-Dur, Andante, Leuto 1mo, S. L. Weiss, edited by K.-E. Schröder ~ 13
  • Sonata C-Dur, Andante, Leuto 2do, S. L. Weiss, edited by K.-E. Schröder ~ 14
• The In nomines for Lute:  an Introduction, by James Rodgers ~ 15
• Upcoming Events, by Dawn Culbertson ~ 18
• Classifieds ~ 19
• New Members & Address Changes ~ 19

Table of Contents, Issue No. 3

• Announcements ~ 3
• A Look Back at the LSA Summer Seminars, by Caroline Usher ~ 4
• Neapolitan (Viola da Mano) Tablature, by Hiroyuki Minamino ~ 8
• Scale Exercises for Renaissance Lute, by Karen Meyers ~ 6
• Music
  • Tombeau pour Mlle. Sautcheck (tablature), Roman Turovsky ~ 22
  • Largo e mesto (tablature), Roman Turovsky ~ 28
• L. Herrero Grau:  A Contemporary Composer for Baroque Guitar, by Thomas Schmitt ~ 30
  • Estudio I-A (Preludio), L. Herrero Grau (tablature) ~ 31
  • Estudio I-B (Preludio), L. Herrero Grau (tablature) ~ 31
  • Estudio II (Capricho), L. Herrero Grau (tablature) ~ 32
  • Estudio III (Passacalles), L. Herrero Grau (tablature) ~ 33
  • Estudio I-A (Preludio), L. Herrero Grau (guitar notation) ~ 34
  • Estudio I-B (Preludio), L. Herrero Grau (guitar notation) ~ 34
  • Estudio II (Capricho), L. Herrero Grau (guitar notation) ~ 35
  • Estudio III (Passacalles), L. Herrero Grau (guitar notation) ~ 36
• CD Reviews
  • Alla Venetiana:  Early 16th-Century Venetian Lute Music, Paul O’Dette, lute (Harmonia Mundi 907215), reviewed by Dawn Culbertson ~ 37
• Other New Releases ~ 37
• Upcoming Events, by Dawn Culbertson ~ 38
• Classified ~ 39

Table of Contents, Issue No. 4

• Announcements ~ 3
• Johann Adolf Hasse and the Lute, by Scott C. Witzke ~ 7
  • Johann Adolf Hasse Lute Works (annotated list) ~ 13
• Music
  • Tutte all’invito de’nostri accenti, from the Oratorio Il cantico de’tre fanciulli, Johann Adolf Hasse (score), edited by Scott C. Witzke ~ 17
  • Tutte all’invito de’nostri accenti, Johann Adolf Hasse (Basso continuo tablature), intabulated by Scott C. Witzke ~ 33
• Seminar Reports:  Amherst Early Music Festival, August 1999
  • Sources of Scottish Lute Music, by the entire class ~ 36
  • Kapsberger Consort Class, by Kevin Seiji Kishimoto and Jim Smith ~ 36
  • The Beginning Lute Class, by Sheila Schiferl ~ 36
  • The German Renaissance Lute Class with Karl-Ernst Schröder, by Rindkim@aol.com ~ 36
  • Lute Band, taught by Doug Freundlich, by Geoff Gaherty ~ 37
• Reviews
  • Lightlie Love Ladies:  Popular Music of Elizabethan England, Joseph Mayes, lute (JM1997), and Caprice:  Music by Giuliani, Carulli, Legnani, Mertz, Coste, Cano & Sor, Joseph Mayes, guitar (JM1998), reviewed by Dawn Culbertson ~ 38
  • Suites BWV 1007, 1008 & 1009 by Johann Sebastian Bach, Juan-Carlos Rivera, chitarrone (Lindoro-MPC-0704), reviewed by James Rodgers ~ 38