The Lute Society of America Quarterly

Volume XXXVI, 2001

Table of Contents, Issue No. 1

• Announcements ~ 3
• LSA at Amherst Early Music 2001 ~ 4
• In Memoriam:  Robert Lundberg (June 25, 1948 – March 3, 2001) – contributions by Terrell Stone, Susan & Tom Berghan, Douglas Alton Smith, Mike Peterson, and Timothy Swain ~ 6
• Threnody for Bob, by Timothy Swain ~ 9
• Builder Profile:  Robert Lundberg, by Andres Sender ~ 10
• Music ~ 11
  • Courante by Vallet, from his Premier Livre, submitted by Ron Andrico ~ 12
  • Prelude, Toccata & Fugue (facsimile) from the London MS, by Silvius Leoplold Weiss ~ 13
• The London Manuscript Unveiled:  Part III – Suites 13 – 19, by Michel Cardin ~ 17
• B. Warren, by Betsy Small ~ 25
  • 1. Fantasia (excerpt, pitch notation + tablature), by B. Warren ~ 26
  • 8. “Un Canto” (excerpt, pitch notation + tablature), by B. Warren ~ 27
• Reviews:  CDs
  • Robin Hood:  Elizabethan Ballad Settings, Paul O’Dette, lute (Harmonia Mundi 907265), reviewed by D. C. Culbertson ~ 29
  • O Sweet Love:  Music by Byrd and Dowland, Daniel Taylor, countertenor; Stephen Stubbs, lute; Les voix humaines, viols (ATMA 2207), reviewed by D. C. Culbertson ~ 29
  • Alessandro Piccinini:  Il Concerto dei Fratelli, Christina Pluhar, theorbo, harp; Matthias Spaether, archlute, theorbo (L’empreinte Digitale ED13057), reviewed by Thomas Tallant ~ 29
• Reviews:  Book
  • John Johnson:  Collected Lute Music, transcribed and edited by Jan W. Burgers. (Lübeck, TREE Edition, 2001), reviewed by Douglas Alton Smith ~ 30

Table of Contents, Issue No. 2

• I will praise God with my guitar:  Jean Baptiste de Castillion – Bishop and amateur musician, by Monica Hall ~ 4
• A parody fantasia?  by Ron Andrico ~ 13
  • A Phantazie (tablature), Board f.29v ~ 15
• Music ~ 17
  • A la guerra (tablature), by B. Tromboncino, Bossinensis 1509 f.39v ~ 17
  • In te domine (tablature), by Josquin D’ascanio, Bossinensis 1509 f.38v ~ 18
  • Chi pregion (tablature), by B. Tromboncino, Bossinensis 1509 f.11v ~ 19
  • Chi vi data piu luce (tablature), by F. V., Bossinensis 1509 f.25r ~ 20
  • Ognun fugga fugg’amore (tablature), Bossinensis 1509 f.37 ~ 21
  • Poi che’l ciel (tablature), by B. Tromboncino, Bossinensis 1509 f.38 ~ 22
• The London Manuscript Unveiled:  Part IV – Suites 20 – 26, by Michel Cardin ~ 23
• Treasurer’s Report:  1 April 2000 – 31 March 2001 ~ 30
• Reviews:  Books
  • Lute Variations on German Traditionals, by Christoph Dalitz. (Antiqua Editions), reviewed by Ron Andrico ~ 31
  • Music Alone:  Philosophical Reflections on the Purely Musical Experience, by Peter Kivy. (Cornell University Press, 1991), reviewed by Dick Brook ~ 31
• Die Luft ist so blau (tablature), by Christoph Dalitz ~ 33

Table of Contents, Issue No. 3

• To the members, by Caroline Usher ~ 3
• . . . So You Fell Off the Stage:  A Partial Guide for the Performer, by Joseph Mayes ~ 4
• Two Almains, or One?  by Ron Andrico ~ 6
  • Almain (tablature) by Daniel?, Board ms f.42r – 42v ~ 7
  • Almaine The Night Watch (tablature), by Anthony Holborne, divisions R. Andrico ~ 8
• “Satan Tempted Me with the Lute:”  J. G. Hamann and the Lute,  by Markus Lutz ~ 9
• Lute Resources on the Web:  A Very Brief Introduction,  by James Rodgers ~11
• Music
  • Se la face ay pale (tablature + vocal part), by G. Dufay, tr. T. Leddi ~ 14
  • De plus en plus se renouvelle (tablature) ~ 7
  • Toccata per Spinettina sola over Liuto (tablature), by Girolamo Frescobaldi, Il primo libo delle canzoni, Roma, 1628, intab. Arto Wikla ~ 17
  • Lamentatio I-b (tablature), by Joachim Peter Sautscheck ~ 18
  • Vanitas vanitatis (tablature), by Alexia Aldobrandini ~ 21
• 12 Studies for Lute, Op. 19:  Part One, Studies 1 – 6, by Stefan Lundgren ~ 23
  • Study #1 (tablature) ~ 26
  • Study #4 (tablature) ~ 27
• Reviews:  Music
  • Giovanni Antonio Terzi:  The Lute Fantasias, edited by Suzanne Court (AR Editions, Madison, 2000), reviewed by Ron Andrico ~ 29
• Reviews:  CD
  • J. S. Bach:  Intavolatura, Rolf Lislevand, baroque lute (Astree Naive E 8807), reviewed by Edward Martin ~ 29

Table of Contents, Issue No. 4

• From the Editor, by Howard Posner ~ 3
• The Art of Intabulation (Part 1), by Dick Hoban ~ 4
  • Jayme le cueur (tablature), by Claudin de Sermisy, arrangement from Giovanni Maria da Crema 1546, f.D1 ~ 5
  • Si bona suscepimus (tablature), by Claudin de Sermisy, arrangement from Giovanni Maria da Crema 1546, f.G3v ~ 6
  • Vivre ne puis (tablature), by Claudin de Sermisy, arrangement from Giovanni Maria da Crema 1546, f.C4v ~ 9
• A History of the Lute Makes History for the LSA and Author Smith, by Howard Posner & Mike Peterson ~ 10
• The Great Abondante Hemiola Hunt, by Daniel Heiman ~ 17
  • Gagliarda del dito pass’emezo (facsimile) Iulio Abondante, 1548 ~ 19
  • Gagliarda del dito pass’emezo (tablature) Iulio Abondante, 1548, edited by Daniel Heiman ~ 19
  • La gasparina gagliarda (tablature) Iulio Abondante, 1548, edited by Daniel Heiman ~ 20
  • El ciel tvrchin gagliarda (tablature) Iulio Abondante, 1548, edited by Daniel Heiman ~ 21
  • La chara cosa gagliarda (tablature) Iulio Abondante, 1548, edited by Daniel Heiman ~ 22
• Reviews:  Books
  • Historical Lute Construction, by Robert Lundberg, Guild of American Luthiers, reviewed by Howard Posner ~ 24
  • The “Hurel Manuscript,” Editions Minkoff, Geneva, 1966, reviewed by Thomas Berghan ~ 25
• Reviews:  CD
  • Amour cruel, Suzie LeBlanc, soprano; Les voix humaines, violas da gamba; Stephen Stubbs, theorbo (ATMA 2216), reviewed by D. C. Culbertson ~ 25
• Vancouver 2001 LSA Summer Seminar Overview, by Mike Peterson ~ 27