Dd.4.22

DATE: c1615

Page measurements: approx. 241 x 178 mm

Pedagogical book in upright folio format. It was bound in the late 17th century with Ms.Dd.4.21. Despite the presence of music by Robert Johnsonand John Sturt, Lumsden dated the book c1600, as he felt that the notational features supported thatdate. Poulton pointed out that the 'Noble Men's Maske Tune'probably came from Cyril Tourneur's lost tragi-comedy, The Nobleman, which was played at Court in 1613, and is known to have contained a maske, and dated the book 'after 1613'. c1615 is therefore the most likely date for this small collection which was almost certainly written over a very short time, perhaps only a matter of days or weeks. The first scribe appears to have been the pupil of the second, who may havebeen Richard Allison, and is discussed in Chapter 7.

Bibliography: Thurston Dart: 'New sources of virginal music' ML xxxv/2 (1954)

Lumsden 1957A

Harwood 1963

Nordstrom 1972

Poulton 1982

folio	original ascription	title	composer	cons. & cogs.
2/1		Almain lorraine, first part of duet		Folger 2v/1 Sampson 3/1
2/2		Jig		Dd.9.33 84/2
2v/1		P.A. Galliard		Marsh 419/1
2v/2		Passamezzo Galliard
3		Spanish Pavan	Francis Pilkington	31392 25v Sampson 3v/2 Welde 1 Dallis 162 Dd.9.33 82v-83 Dd.2.11 66v/2 Nn.6.36 23v Dallis 162 Robinson 1603 22v-23 408/2 112/1 Mynshall 5/2-5v/1 Wemyss 23/3-24/1 Wickhambrook 14v-15/1 Cosens 20v-21 Folger 1v-2 (frgmt) Pickeringe 11/2 & 11v-12 (dt pts) Dd.3.18 14v-15/1 (dt) cf: Thysius 142/2 Stobaeus 22v/2 Dolmetsch 23v-25 & 25v-26 Valerius1626 258-260 Vallet1615 57 Vallet1616 6/2 Vilnius 27
3v		Lord Zouche's Maske		Montbuysson 24/1 ML 7v/2-8/1 Dd.9.33 88/1 Mynshall 7v/2 Folger 8/2 Vilnius 56v/2 Vallet 1615 91 Hove 1601 106v/2 Nürnberg 38 Dolmetsch 148v-149 cf: Vallet 1616 n.o86 Schermar [82] Dlugoraj 295 and 395
4v-5v	the quadren pavine by mr Richard Allisoun	Quadran Pavan	Richard Allison	Board 19v-20
6		Quadran Galliard	?Richard Allison
6v-7/1	a galiard Dani: Batchi:	To Plead My Faith Galliard	Daniel Bacheler	Ballet 17 ML 15v/1 Euing 21/2 Dd.9.33 4 Welde 7v/1 Board 16/1 Dd.2.11 99v/1 Besard 1603 120v Nürnberg 16
7/2	preludium	Prelude
7/3		[n.t.]
7v/1	preludiume	Prelude
7v/2-8/1	Carrante mr D: B:	Courant	Daniel Bacheler	Herbert 28v
8/2	preludium	Prelude
8v-9/1	the noble menes mask tune	The Noble Men's Maske		ML 19/2
9/2	a gig	Jig
9v	Currant	Volt/Courant		Trinity 2/1 Board 37/2 ML 3/2 Dolmetsch 105v-106 Bautzen 21/1 Montbuysson 77v Nürnberg 71v
10/1	an alman Rob: Jho:	Almain	Robert Johnson
10/2	an allman by mr Robart Jhonson	The Prince's Almain	Robert Johnson	Nn.6.36 15v/3 ML 17/2 Board 16/2 Trinity 115/2 Mathew 1652 30-32 Krakow 3/1 Herbert 70v/2 Valerius 1626 213
10v/1		Mrs Mary Hoffman's Almain	John Sturt	Krakow 1v/1 ML 2v/1 Valerius 1626 267-8
10v/2		Courant		Trinity 116/1
11/1		Pavan
11/2	A Coranta	Courant		Trinity 115/1
11v	fortune by Jo: Dowland	Fortune My Foe	John Dowland [62]	Thysius 387v Barley 1596 45-46 Euing 27/2 Mynshall 9v/1 Vilnius 7v/1 Weld 2/2 Ballet 14 (cnst) Dd.9.33 89 (dt treble) Dd.2.11 56/2 (dt part) Nn.6.36 15/3 (l.v.) cf: Stobaeus 79v Vilnius 20v/2 and 27v Folger 57v [inv] Beckmann 13v/2 Brahe 14/2 Vallet 1616 8/1 Valerius 1626 132-133 408/2 111/1 Thysius 185v/2 Vilnius 60/1 Herhold 18v/2-21/1 Dallis 71/2 (dvns) Schele 20-24/1 (dvns) Hove 1601 106v/1 (dvns) Dallis 49/2-50/1 Eijsertt 33 and 37 Richard 22 FWVB no.65 (Byrd)
12	Mounseirs Almayne	Mounsieur's Almain	John Dowland	Wickhambrook 17/2 Folger 13 Dd.9.33 38v-40, 47 & 53v Genoa 139v-140 Dowland 1610B 27-28v Marsh 18 Thysius 484 Valerius 1626 286-287 Dd.3.18 35v (dt) Euing 19v (dt) Mynshall 10/2 (dt) Welde 14v/2-15 (dt) 2764(2) 12v/2 (dt/cnst) Schele 147/2-148/1 (cnst) Vilnius 1/3 (cnst band.) cf: Cosens 15v-17 and 44v-46 Dd.2.11 33v-34/1 Hove 1601 99v and 108v Dd.5.78.3 70v/2-71/1 GB-Lbl Add.Ms.30342 31v

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