DATE: c1610-15
Page measurements: 344 x 220 mm
Professional book in upright folio format. This is the latest of the Holmes books, and was written entirely in London, where Holmes was a singingman atWestminster Cathedral, where he had headed the choir since at least 1603. (See Harwood 1963 for details regarding the compilation of all the Holmes books.) The original parchment wrapper was removed in 1913 when the book was re-bound in three-quarter leather, but it was preserved in the University Library as Doc.38 as it was made from a slightly cropped indenture dated 'the fourth day of April in the xxxivth yere of ... our soueraign Lady Elizabeth' (1597). It concerns an unsigned lease of a tenement by 'Peter Pory of the Universitie of Oxford gent' to 'Mathew Holmes of Christchurch in the same Universitie Singingman'. Some of the foliation has conflicting numbers since the original folios 28, 30 and 31 have been cut away. Lumsden comments that the tuning of the last two pieces is 'symptomatic of the break-up of the older English school and suggests a date after about 1615'. However, apart from these pieces, the only evidence of the impact of transitional tunings or the repertory associated with them in Holmes's books is in the final group of pieces in this book, where a small group of French composers are represented.
Both the notation and the contents of this book begin to diversify from that seen in the earlier lute sources. Holmes used three kinds of rhythmic indication--continuous, rhythm-change and, for the first time, mensural flagging; all three types being interspersed throughout the folios. A few of the pieces are for the viol.
Bibliography: Lumsden 1957A
Harwood 1963
Nordstrom 1972
Sutton 1981
folio |
original
ascription
|
title
|
composer
|
cons.
& cogs.
|
| 1
|
Earl
of Derby's Galliard
|
John
Dowland [44]
|
Schele
142 Dowland 1610B 24v Dd.5.78.3 38/2 Euing 21/3 Welde 7/3 Sampson 13v Nn.6..36 2 Herhold 39v/2-40v | |
| 1v
|
Galliard
|
James
Harding
|
Herbert
9v
| |
| 2
|
The
Erle of Darbies Galliard by Mr Jo Dowland
|
Earl
ofDerby's Galliard
|
John
Dowland [44]
|
Schele
142 Dowland 1610B 24v Dd.5.78.3 38/2 Euing 21/3 Welde 7/3 Sampson 13v Nn.6.36 1 Herhold 39v/2-40v |
| 2v-3/6
|
Pauana.
DB
|
Pavan
|
Daniel
Bacheler
|
Herbert
20v
|
| 3/1
|
woodduck
[?]
|
Woodcock
|
||
| 3/2
|
Singers
Jigge
|
Singer's
Jig
|
Jo
Singer
|
Board
9/2 Dd.9.33 81v (band.) |
| 3/3
|
The
Boores Dawnce
|
The
Boar's Dance
|
Nn.6.36
3/4 Dd.5.78.3 44v/2 | |
| 3/4
|
llantiero
|
The
Boar's Dance
|
Dd.5.78.3
44v/2 Nn.6.36 3/3 | |
| 3/5
|
Canaries
|
Canaries
|
||
| 3v
|
Galliard
|
|||
| 4
|
Mr
D B
|
Galliard
|
Daniel
Bacheler
|
|
| 4v-5
|
Pauan
Mr D.B.
|
Pavan
|
Daniel
Bacheler
|
|
| 5v
|
Mr
D B
|
Galliard
|
Daniel
Bacheler
|
|
| 6
|
Mr
D B.
|
Galliard
|
Daniel
Bacheler
|
|
| 6v-7
|
Mr
D B.
|
Galliard
|
Daniel
Bacheler
|
|
| 7v |
Mr D B. |
Galliard |
Daniel Bacheler |
Cosens82v
Dd.5.78.3 58
|
8/1 |
Volta
|
Volt/Courant
|
Daniel
Bacheler
|
Herbert
26v/1
|
| 8/2
|
Curranta
|
Courant
|
?Daniel
Bacheler
|
Herbert
28/1
|
| 8v-9/1
|
Pavana
D Bacheler
|
Pavan
|
Daniel
Bacheler
|
|
| 9/2
|
A
french toy
|
French
Toy/Ballet
|
Besard
1603 43 Fuhrmann 1615 148/2 Mylius 1622 89/1 Besard 1617 43/2 Sibley 36/1 de Bellis no.30 Thysius 381v Vallet 1616 1/3 | |
| 9v-10
|
Pavana
Mr D B
|
Pavan
|
Daniel
Bacheler
|
|
| 10v
|
Up
Tails All
|
Pickeringe
34/2 Dd.9.33 95v/2 | ||
| 11
|
Galliard
Ro Johnson
|
Galliard,
My Lady Mildmay's Delight
|
Robert
Johnson
|
Mynshall
12v Folger 22 ML 16v/1 Welde 15v/2-16 Vilnius 20v/1 cf: Nürnberg 11 |
| 11v-12
|
Mr D B. pavana
|
Pavan
|
Daniel Bacheler
|
Dowland 1610B 18v-19
|
| 12v-13
|
Mr
D B
|
Pavan
|
Daniel
Bacheler
|
|
| 13v-14
|
Pavan
|
|||
| 14v/1
|
Clarks
Galliard
|
Clark's
Galliard/ QuadranGalliard/ Jest
|
Anthony
Holborne
|
408/2
89 Ballet 10-11/1 Dd.2.11 60v/2 and 72v/1 Hirsch 7v/1 Wickhambrook 11/2 Trumbull 4/2 |
| 15/1-14v/2
|
Allmain
|
Almain
[l.v.]
|
||
| 15/2
|
[l.v.]
|
|||
| 15/3
|
fortune
|
Fortune
My Foe [l.v.]
|
?John
Dowland
|
cf:
408/2 111/1 Stobaeus 79v Vilnius 20v/2 and 27v Folger 57v [inv] Beckmann 13v/2 Brahe 14/2 Vallet 1616 8/1 Valerius 1626 132-133 Thysius 387v Barley 1596 45-46 Dd.4.22 11v Euing 27/2 Mynshall 9v/1 Vilnius 7v/1 Weld 2/2 (cnst) Ballet 14 (cnst) Dd.9.33 89 (dt tr.) Dd.2.11 56/2 (dt) Thysius 185v/2 Vilnius 60/1 Herhold 18v/2-21/1 Dallis 49/2-50/1 Dallis 71/2 (dvns) Schele 20-24/1 (dvns) Hove 1601 106v/1 (dvns) Richard 22 Eijsertt 33 and 37 FWVB no.65 (Byrd) |
| 15/4
|
Allmaine
|
Almain
[l.v.]
|
||
| 15/5
|
A
Toy g k.
|
Toy
[l.v.]
|
||
| 15v/1
|
Dump
[l.v.]
|
Richard
Martin
|
Ballet
39 (l.v.)
| |
| 15v/2
|
[l.v.]
|
|||
| 15v/3
|
The
pr: Allm,
|
The
Prince's Almain
|
Robert
Johnson
|
Dd.4.22
10/2 ML 17/2 Board 16/2 Trinity 115/2 Mathew 1652 30-32 Krakow 3/1 Herbert 70v/2 Valerius 1626 213 |
| 16/1
|
Galliard
[notv.t.]
|
|||
| 16/2
|
Corranta
|
Courant
|
Herbert
29/2 ML 19v/3 | |
| 16v/1
|
Curranta
|
Courant
|
||
| 16v/2
|
Galliard
|
James
Harding
|
||
| 17
|
Mrs
E B teares
|
Almain
Mrs E. B. Tears
|
||
| 17v-18/1
|
Teares
|
Dowland's
Adieu
|
John
Dowland?
|
|
| 18/2-18v/1
|
resoluc[i]on
|
Dowland's
Adieu for Master Oliver Cromwell/ Resolution
|
John
Dowland [13]
|
Dowland
1600 Sig.N1v
|
| 18v/2
|
Maske
|
The
Third of the Prince's Masque
|
?Robert
Johnson
|
Krakow
2/2 Montbuysson 78/1 |
| 18v/3
|
Maske
|
Maske
|
||
| 19
|
Walsingham
[l.v.]
|
Nn.6.36
20v-21/1 (l.v.) cf: ?JD: Bautzen 35/1 Vilnius 24 Wickhambrook 17/4 JD [31]: Dd.5.78.3 37/2 Dd.2.11 82v/1 (band.) Anthony Holborne: Dd.5.78.3 12/2 Edward Collard: Cosens 9v Dd.2.11 96v-97/1 Weld 9v/3-10 Francis Cutting: Barley 1596 73-75 (orph.) Dd.2.11 96 Dd.5.78.3 50v-51/1 Euing 43v-44/1 JD [67]:Dd.9.33 67v-68 John Johnson: Dd.2.11 98/1 Marchant: Dd.9.33 26v-28/1 Dd.2.11 29/2 Dd.9.33 21 | ||
| 19v-20/1
|
Robin
is to the Greenwood Gone/ Bonny Sweet Robin/Robin Hood [l.v.]
|
?John
Dowland
|
cf
(solo): Ballet 27 408/2 104/2 and 113/2 Dd.2.11 80/2 Euing 46v-47 Robinson 160318v/1 2764(2) 12/3 Lodge 5 JD: Board 12v/2 Cosens 32v Euing 31/2 Pickeringe 22v and 35/2 Vilnius 6v/1 Dd.9.33 29v-30 and 81v/4 (band.) Fuhrmann 1615 114-115/1 ?JD: Mynshall 8/4 Dd.2.11 53/2 and 66/3 Folger 16v Dd.3.18 11 and 18 31392 25 Montbuysson 3v | |
| 20/2
|
Bara
Faustus's Dream
|
cf:
Vallet 1615 93 Stobaeus 76 Dlugoraj 453 Vilnius 42/1, 59/3 and 66v/1 Valerius 1626 111 Pickeringe 24/4 Ballet 29/1 (l.v.) | ||
| 20v-21/1
|
Walsingham
[l.v.]
|
Nn.6.36
19 (l.v.) cf: ?JD: Bautzen 35/1 Vilnius 24 Wickhambrook 17/4 JD [31]: Dd.5.78.3 37/2 Dd.2.11 82v/1 (band.) Anthony Holborne: Dd.5.78.3 12/2 Edward Collard: Cosens 9v Dd.2.11 96v-97/1 Weld 9v/3-10 Francis Cutting: Barley 1596 73-75 (orph.) Dd.2.11 96 Dd.5.78.3 50v-51/1 Euing 43v-44/1 JD [67]:Dd.9.33 67v-68 John Johnson: Dd.2.11 98/1 Marchant: Dd.9.33 26v-28/1 Dd.2.11 29/2 Dd.9.33 21 | ||
| 21/2
|
A
Jigg
|
Jig
|
||
| 21/3
|
Pack.
Pound.
|
Packington's
Pound
|
Francis
Cutting
|
Mynshall
8v/2 (corrupt) Thysius 401v cf: Barley 1596 69 (orph.) |
| 21v/1
|
A
Jigg
|
Jig
|
||
| 21v/2
|
Come
away
|
Come
Again, Sweet Love Doth Now Invite
|
John
Dowland [60]
|
Montbuysson
1v/1 and 64v/1 Nn.6.36 21v/2 Valerius 1626 167 |
| 22
|
Galliard
|
|||
| 22v-23
|
Sims
|
Sims
Pavan
|
||
| 23v
|
Spanish
Pavan
|
Francis
Pilkington
|
31392
25v Sampson 3v/2 Welde 1 Dallis 162 Dd.4.22 3 Dd.9.33 82v-83 Dd.2.11 66v/2 Dallis 162 Robinson 1603 22v-23 408/2 112/1 Mynshall 5/2-5v/1 Wemyss 23/3-24/1 Wickhambrook 14v-15/1 Cosens 20v-21 Folger 1v-2 (frgmt) Pickeringe 11/2 & 11v-12 (dt pts) Dd.3.18 14v-15/1 (dt) cf: Thysius 142/2 Stobaeus 22v/2 Dolmetsch 23v-25 and 25v-26 Valerius1626 258-260 Vallet1615 57 Vallet1616 6/2 Vilnius 27 | |
| 24/1
|
Mris
An Rogers Choice
|
Mrs
Ann Roger's choice
|
||
| 24/2
|
Allmaine
|
Almain
|
||
| 24v/1
|
The
Fairy's Dance
|
ML
10/2
| ||
| 24v/2
|
Currant
|
Courant
|
||
| 25
|
Galliard
|
|||
| 25v/1
|
Currante
|
Courant
|
Mercure
d'Orléans
|
Board
43v/1 St Petersburg 40 Schele 48/2 and 87/3 Nn.6.36 25v/1 ML 17v/2 Werl 73v Dresden 113 |
| 25v/2
|
Currant
|
Courant
|
Mercure
d'Orléans
|
Schele
16/2
|
| 26/1
|
Currant
Jo sturt
|
Courant
|
John
Sturt
|
ML
18/1
|
| 26/2-25v/3
|
Currant
|
Courant
|
ML
18v/1
| |
| 26v
|
Currante
|
Courant
|
ML
26v/1 Krakow 8v-9/1 | |
| 27/1
|
Volte
Jo St.
|
Volt
|
John
Sturt
|
ML
21v/1 Krakow 6 |
| 27/2
|
Ballet
|
Ballet
|
Charles
de l'Espine?
|
first
strain: Aegidius 130v-131 cf: Werl 152 Dolmetsch 34v-35v |
| 27/3
|
||||
| 27v
|
Currante
Jo St
|
Courant
|
John
Sturt
|
ML
21v/2-22/1 Swarland 2v/2 Krakow 11v-12 |
| 29
|
Passamezzo
Pavan [s.n.]
|
|||
| 29v
|
Quadran
Pavan treble [inc., s.n.]
|
|||
| 32
|
Sims
|
Sims
Galliard
|
||
| 32v-33/1
|
Fantasia
|
John
Dowland [6]
|
Dd.9.33
43v-44
| |
| 33/2
|
A
fancy
|
Fantasia
|
?Julien
Perrichon
|
Herbert
30/1 Mertel 1615 153/2 |
| 33v-34
|
Trenchmore,duet
ground
|
John Johnson |
Dd.3.18 12v-13 (dt) Lodge 10/2-10v/1 (dt) and 12/1 Marsh 139/1 (dt) and 139/2-141 (dt) Pickeringe 51v/3 <88v> [inv.] Welde 11v/1 and 11v/2-12 (dt) |
| 34v |
Jos: shirly |
Galliard [l.v.] |
Joseph Shirley |
|
| 35 |
An: Marks |
Andrew Marks |
||
| 35v-36 |
Jamy
|
[l.v.]
|
?Joseph
Shirley
|
|
| 36v
|
Coranto
Confes
|
Courant
|
Charles
de L'Espine
|
|
| 37
|
Earl
of Essex's Galliard/Can She Excuse
|
John
Dowland [42]
|
Barley
1596 62 (orph.) Montbuysson 2/1 and 56v/2-57/1 Dowland 1610B 24 Dd.2.11 40v/1 and 62v/1 Euing 24/1 Folger 16 Hirsch 11v/1 Herbert 55/2 Cosens 48 Fuhrmann 1615 121/2-122 Bautzen 31/1 Thysius 22v/1 Vallet 1615 36-40 Vilnius 58v/2 | |
| 37v-38/1
|
Mr
D B
|
Pavan
|
Daniel
Bacheler
|
|
| 38/2
|
preludiu[m]
Deus misereatur nostri
|
Prelude
|
||
| 38v
|
Mr
D B.
|
Galliard
|
Daniel
Bacheler
|
|
| 39
|
Mr
D B
|
Galliard
|
Daniel
Bacheler
|
|
| 39v/1
|
||||
| 39v/2-40
|
Mr
D B.
|
Pavan
|
Daniel
Bacheler
|
|
| 40v
|
Mr
D B
|
Galliard
|
Daniel
Bacheler
|
Pickeringe
30/1
|
| 41/1
|
volta
|
Volt
|
||
| 41/2
|
Preludiu[m]
|
Prelude
|
||
| 41v-42
|
Mr
D B
|
Pavan
|
Daniel
Bacheler
|
Dd.9.33
40v-41 Dd.5.78.3 72v-73 |
| 42v-43
|
Mr
D B
|
Pavan
|
Daniel
Bacheler
|
|
| 43v-44
|
Mr
D B
|
Pavan
|
Daniel
Bacheler
|
|
| 44v-45
|
Pavan
[not v.t.]
|
|||
| 45v
|
Galliard
[not v.t.]
|
| The Lute Page | Julia Craig-McFeely's Thesis | Index |