EIRE-Dublin, Trinity College Library, Ms.408/2

(NB: As this manuscript isbound with Ballet they have sometimes been treated as a single source.)

DATE: c1605

Page measurements: 265 x 180 mm

Pedagogical book in upright folio format. The book was bound by thelibrary with Ballet; the pagination was added after theywere bound together, and follows on from the numbering in the previousmanuscript. Thus folio 1 of 408/2 is page 76. The MS is completely unrelatedto Ballet. Preservation work in 1982 destroyed the original gatherings in order to interleave the pages with new paper to prevent the spread of mould. Blankruledpages were retained, and probably there was no further disturbance to thebook as the conservator found it. However, it seems clear that there is a folio missing betweenpages 90 and 91, as those pages show the beginning and end respectively of twodifferent pieces. The page was missing when Lumsden examined the MS and, as the pagination is consecutive, has probably been missing since the 18th century. There are twoscribes: the first appears to be concordant with that of 6402and both seem to have completed their copying within a short time-span.

Lumsden believed 'Omnino galliard' on p.90 to be by Robert Johnson, butdespite this did not place the MS after 1600 as he suggested this would imply. Infact,the piece is by John Johnson, and concordances with earlier sourcessupport the attribution. Ward suggests that the music by Robinson, if it was taken from Robinson 1603, implies that the scribe was still at work on thebook in 1603. The majority of the music, though, is at least ten years earlier indate, and includes several ground bass pieces on the passamezzo that werebeginning tolose popularity by 1605. Despite the absence of duets, the retrospective date of therepertory,and the preponderance of short simple pieces in the opening pages suggeststhat this is a pedagogical book. The missing binding and endpapers wouldundoubtedlyhave provided some further clue as to ownership, but the pedagogical purpose seems morelikelythan that the book was a personal anthology, as it does not show any ofthe major characteristics of this type of book. The second scribe does notappear to have been related to the first, but may have been his teacher, as is the case inSampson. The watermark is unhelpful in dating as it is not similar to any ofthose currently catalogued. It is smaller than most, and may be English as itis not related to the numerous foreign designs.

Bibliography: Chappell: A Collection of National English Airs i(London, 1838-40), 115

H. Fitzgibbon: 'Lute-books ofBallet and Dallis' M&L xi (1930), 71

Ward 1968

Fenlon/Milsom 1984

page

original ascription
title
composer
cons. & cogs.
76-77

[lute song]


83/1
a scotis. gig
Scottish Jig


83/2
the owld man
P.M.


83/3
lusty gallant
Lusty Gallant


83/4
farle become
Farle Become


84/1
hit
Hit it and take it?


84/2
the blacsmitckth
The Blacksmith


84/3
the woodes so wild
Will Ye Walk theWoods SoWild
Charles Jackson
Euing 33v-34v

Lodge 3

84/4
hearing by
Hearing


84/5
the shakinge of the sheetes
The Shaking of the Sheets


84/6
thehun [obscure]
The Hunt's Up


85/1
calleno
Galliard/Calleno Casturame
?Busnois arr.
Hove 1601 97/1

Dallis 79/2

Phalèse 1568 85v/2

85/2
ye ground to passing measures pavin
P.A. Pavan, duetground
John Johnson
Lvov 100-101v/1

cf tr.: Mynshall 2v-3/1

Marsh 142-144/1

Dd.3.18 1v-2

85/3-86/1
a treble
Goodnight, duet treble
John Johnson
Brogyntyn 7/5 (dt)

Dallis 16/1 (dt)

Dd.2.11 8v-9/1 and 86/2 (dt)

Dd.3.18 15v-16 (dt)

Marsh 26-27, 158-160, 362-363 (dt) and 397/2

Willoughby 3v-5 and 5v (dt)

86/2
a pavin
P.A. Pavan

Thistlethwaite 3v-5v

Stowe389 123

86/3-87
qui passa
Chi Passa


88
The quadran paven
Quadran Pavan
Clement Cotton
Marsh 228/1

Dallis 24-26/1

89
The quardran galliard
Clark's Galliard/Quadran Galliard/ Jest
Anthony Holborne
Ballet 10-11/1

Dd.2.11 60v/2 and 72v/1

Hirsch 7v/1

Wickhambrook 11/2

Trumbull 4/2

Nn.6.36 14v/1

90/1
omnino galliard
Omnino Galliard
John Johnson
Marsh 287

Brogyntyn 21/3

Dallis 31/1 and 95/2

Lodge 12/3

90/2

In Crete When Daedalus First Began

Mynshall 8/1

Lodge 19v-20/1

91/1
Rogero qd Jo Jonsonn
Ruggiero
John Johnson
cf: Board 2/1

Sampson 3v/1

Dallis 20/1, 21 (dvns), 92/2 (dt pt) and 223/2 (band.)

Dd.3.18 1 (dt pt)

Marsh 38, 39 (dt pts) and 305

Mynshall 3v/2 (dt pt)

Thysius 383/1

Trumbull 25v/1 and 25v/2 (dtpts)

91/2
Turkeylony
Turkeylony


91/3
staynes moris
Stanes Morris


92-94/1
delight pavin Jo Jonson
DelightPavan
John Johnson
Marsh 164-165/1

Dallis 84-85/1

Mynshall 7v/1

Wickhambrook [9v-]10/1

Welde 3v-4/1

Waissel 1591 L4/1

Thysius 147v

Willoughby 25v-27v

Folger 14v-15 (dt)

Board 6v-7/1 and 14v-15 (dt)

Brogyntyn 13/1 (dt)

Dallis 84-85/1 (gr)

Dd.3.18 20v-21 and 59v-60 (cnst)

Trumbull 4v-5 (cnst)

Vilnius 62v-63/1 (cnst)

94/2-95/1
the quenes galliard E perse
Queen's Galliard
Edward Pierce

95/2
the sinckapace galliarde
Sinkapace Galliard/ Church's Galliard

Marsh 126

cf: Vilnius 58/1

408/2 95/2

Willoughby 90v

Dlugoraj 189

kbd: Mulliner 126v-127

95/3
a march
The Earl of Oxford'sMarch

2764(2) 7v/2-8/1

Dd.3.18 20/2 (cnst)

Mynshall 7/3

Thysius 373v

96

[n.t.]


97
a galliard caled elume alta
E Lume Alta Galliard

Willoughby 20v-21/1

Marsh 79

98-99/1
a gallyard Edward perse
Galliard
EdwardPierce

99/2
a pauin of John Jhonsons
Long Pavan
John Johnson
Dd.2.11 47v-48/1 and 64v (band.)

Wickhambrook 17v/1

100/1
a pauin of Jhon Jhonsons
Pavan
John Johnson

100/2
mounsers galliard
Mounsieur's Galliard


100/3-101/1
Robinsons toye
Toy
Thomas Robinson
Dd.5.78.3 11/2

Robinson 1603 15v

101/2
Mary thornyes galliard
Mary Thorny's Galliard


101/3-102 & 105/1
a pauin
Pavan

Marsh 187-186/3
103/1
sellingers rownde
Sellenger's Round/ Est-ce Mars/TheFrenchTune

Schele 59/2

Montbuysson 30/2 & 94/2

ML 16/3

Trinity 128/2

Dd.3.18 5 (dt)

Board 25/1 and 12/2

Andrea 2/4

Vilnius 58/3 and 68/3

Folger 87v/4 and 87v/5

Brahe 10v/1

Vallet 1615 70

Marsh 42-43 and 182

Thysius 442 (dt)

Valerius 1626 164-5

Vallet 1616 34/1-35/2 (cnst pts)

Hove 1612 61v/1

cf: FWVB no.148

Vallet 1615 63-64/1 & 70/2

103/2
lighttie loue ladyes
Light of Love/The Countess of Ormond's Galliard

Adriansen 1584 92v/3 and 1592 78v

Dallis 171

Dd.2.11 74v/2

Thysius 371v

Board 5/3

103/3
larouse
Larousse


103/4
all floures in brome
All Flowers of the Broom


104/1
greenesleues
Greensleeves
Francis Cutting
31392 29/2

Hove 1601 107v/2

104/2

Robin Hood/Toy

Dd.2.11 80/2

cf: Ballet 27

408/2 113/2

Euing 46v-47

Robinson 160318v/1

2764(2) 12/3

Nn.6.36 19v-20/1 (l.v.)

Lodge 5

JD: Board 12v/2

Cosens 32v

Euing 31/2

Pickeringe 22v and 35/2

Vilnius 6v/1

Dd.9.33 29v-30 and 81v/4 (band.)

Fuhrmann 1615 114-115/1

?JD: Mynshall 8/4

Dd.2.11 53/2 and 66/3

Folger 16v

Dd.3.18 11 and 18

31392 25

Montbuysson 3v

104/3
trike my whele
The Hunt's Up, Go Merrily While

Vilnius15/4

Thysius 472/1

104/4
Buffons
Buffoons, Bergamasca Setting

cf: Thysius 373/2

Straloch 1/1

Dallis 3/2

Brahe 10/2 and 18/2

Thysius 397

Vilnius 64v/3

G. B.Domenico

Dolmetsch 228-231

Fuhrmann 1615 182/2-184/1

Herhold 28/2-31v/1

Hove 1612 54v-55

Schele 10/2-11

Stobaeus 68-69/1, 69/2, 69/3 and 69/4-69v/1

Vallet 1615 41-42

Vilnius 4/3 [deleted] & 68v

104/5
the nigites
[n.t.]


104/6
welad[y]
Welladay, duet ground


105/2
a galliard
Galliard

Marsh 62-63

Willoughby 78-80/1

106-107/1
a galliard caled nusquam
Nusquam Galliard

Marsh 35

Willoughby 80/2

107/2-108/1
a pauin
Pavan

Marsh 82-83

Thistlethwaite 8v-9v/1

108/2-109
a galliard caled phillida
Philida Galliard/ Conde Claro
Guillaume Morlaye
Willoughby 38-39v

Marsh 61/2 and 232-233

Dd.5.78.3 73v-74

110
mr numans pauin
Pavan
Newman
Dallis 194 and 196-198/1
111/1
Fortune
Fortune My Foe

Stobaeus 79v

Vilnius 20v/2 and 27v

Folger 57v [inv]

Beckmann 13v/2

Brahe 14/2

Vallet 1616 8/1

Valerius 1626 132-133

cf: Thysius 387v

Barley 1596 45-46

Dd.4.22 11v

Euing 27/2

Mynshall 9v/1

Vilnius 7v/1

Weld 2/2 (cnst)

Ballet 14 (cnst)

Dd.9.33 89 (dt tr.)

Dd.2.11 56/2 (dt pt)

Nn.6.36 15/3 (l.v.)

Thysius 185v/2

Vilnius 60/1

Herhold 18v/2-21/1

Dallis 49/2-50/1

Dallis 71/2 (dvns)

Schele 20-24/1 (dvns)

Hove 1601 106v/1 (dvns)

Eijsertt 33 and 37

Richard 22

FWVB no.65 (Byrd)

111/2
Orlando
Orlando Sleepeth/Orlando Furioso
John Dowland [61]
Board 1/3

Dd.2.11 55v/3

Mynshall 5v/3

Montbuysson 23v/2 & 38

Fuhrmann 1615 47/2

Bautzen 50/1 and 50/2

Hove 1601 106/2

Thysius 399/1

Schmall 22v

cf: Vilnius 1/1 (dt)

Vilnius 1/2 (band.)

111/3

[n.t.]


111/4
Prannels galiarde.
Prannel's Galliard


111/5
Baloo
Baloo


111/6
The Earle of Darbyes Caraunta
Earl of Derby'sCourant/French King's Maske

Dd.2.11 61v/2

Board 8/2

Montbuysson 3v/1

Vilnius 57v/3

Bautzen 69/2

111/7

[n.t.]


112/1
The spanishe Pauin
Spanish Pavan
Francis Pilkington
31392 25v

Sampson 3v/2

Welde 1

Dallis 162

Dd.4.22 3

Dd.9.33 82v-83

Dd.2.11 66v/2

Nn.6.36 23v

Dallis 162

Robinson 1603 22v-23

Mynshall 5/2-5v/1

Wemyss 23/3-24/1

Wickhambrook 14v-15/1

Cosens 20v-21

Folger 1v-2 (frgmt)

Pickeringe 11/2 & 11v-12 (dt pts)

Dd.3.18 14v-15/1 (dt)

cf: Thysius 142/2

Stobaeus 22v/2

Dolmetsch 23v-25 and 25v-26

Valerius1626 258-260

Vallet1615 57

Vallet1616 6/2

Vilnius 27

112/2
Wilsons Wile
Wilson's Wild

Dd.2.11 68v/2

Sampson 4/2

Folger 3/1

112/3
Wigmores galiarde.
Wigmores Galliard


112/4
Wil<sor> Soane
Wilson's Son


113/1
TheVoice of the Earthe.
The Voice of the Earth/The Ghost

Montbuysson 24/2 [frgmt]

Folger 7v-8/1

Bautzen 85/2

113/2
Robin hood is to the greenwood gone.
Robin is to the Greenwood Gone/Bonny Sweet Robin/Robin Hood
John Dowland [70]
JD: Board 12v/2

Cosens 32v

Euing 31/2

Pickeringe 22v and 35/2

Vilnius 6v/1

Dd.9.3329v-30 and 81v/4 (band.)

Fuhrmann 1615 114-115/1

?JD: Mynshall 8/4

Dd.2.11 53/2 and 66/3

Folger 16v

Dd.3.18 11 and 18

31392 25

Montbuysson 3v

cf: Ballet 27

408/2 113/2 and 104/2

Euing 46v-47

Robinson 160318v/1

Dd.2.11 80/2

Nn.6.36 19v-20/1 (l.v.)

2764(2) 12/3

Lodge 5

408/2 p.91 -- Scribe A

408/2 p.111 -- Scribe B

The Lute Page Julia Craig-McFeely's Thesis Index