(NB: As this manuscript isbound with Ballet they have sometimes been treated as a single source.)
DATE: c1605
Page measurements: 265 x 180 mm
Pedagogical book in upright folio format. The book was bound by thelibrary with Ballet; the pagination was added after theywere bound together, and follows on from the numbering in the previousmanuscript. Thus folio 1 of 408/2 is page 76. The MS is completely unrelatedto Ballet. Preservation work in 1982 destroyed the original gatherings in order to interleave the pages with new paper to prevent the spread of mould. Blankruledpages were retained, and probably there was no further disturbance to thebook as the conservator found it. However, it seems clear that there is a folio missing betweenpages 90 and 91, as those pages show the beginning and end respectively of twodifferent pieces. The page was missing when Lumsden examined the MS and, as the pagination is consecutive, has probably been missing since the 18th century. There are twoscribes: the first appears to be concordant with that of 6402and both seem to have completed their copying within a short time-span.
Lumsden believed 'Omnino galliard' on p.90 to be by Robert Johnson, butdespite this did not place the MS after 1600 as he suggested this would imply. Infact,the piece is by John Johnson, and concordances with earlier sourcessupport the attribution. Ward suggests that the music by Robinson, if it was taken from Robinson 1603, implies that the scribe was still at work on thebook in 1603. The majority of the music, though, is at least ten years earlier indate, and includes several ground bass pieces on the passamezzo that werebeginning tolose popularity by 1605. Despite the absence of duets, the retrospective date of therepertory,and the preponderance of short simple pieces in the opening pages suggeststhat this is a pedagogical book. The missing binding and endpapers wouldundoubtedlyhave provided some further clue as to ownership, but the pedagogical purpose seems morelikelythan that the book was a personal anthology, as it does not show any ofthe major characteristics of this type of book. The second scribe does notappear to have been related to the first, but may have been his teacher, as is the case inSampson. The watermark is unhelpful in dating as it is not similar to any ofthose currently catalogued. It is smaller than most, and may be English as itis not related to the numerous foreign designs.
Bibliography: Chappell: A Collection of National English Airs i(London, 1838-40), 115
H. Fitzgibbon: 'Lute-books ofBallet and Dallis' M&L xi (1930), 71
Ward 1968
Fenlon/Milsom 1984
page
Lodge 3
Dallis 79/2
Phalèse 1568 85v/2
cf tr.: Mynshall 2v-3/1
Marsh 142-144/1
Dd.3.18 1v-2
Dallis 16/1 (dt)
Dd.2.11 8v-9/1 and 86/2 (dt)
Dd.3.18 15v-16 (dt)
Marsh 26-27, 158-160, 362-363 (dt) and 397/2
Willoughby 3v-5 and 5v (dt)
Stowe389 123
Dallis 24-26/1
Dd.2.11 60v/2 and 72v/1
Hirsch 7v/1
Wickhambrook 11/2
Trumbull 4/2
Nn.6.36 14v/1
Brogyntyn 21/3
Dallis 31/1 and 95/2
Lodge 12/3
Lodge 19v-20/1
Sampson 3v/1
Dallis 20/1, 21 (dvns), 92/2 (dt pt) and 223/2 (band.)
Dd.3.18 1 (dt pt)
Marsh 38, 39 (dt pts) and 305
Mynshall 3v/2 (dt pt)
Thysius 383/1
Trumbull 25v/1 and 25v/2 (dtpts)
Dallis 84-85/1
Mynshall 7v/1
Wickhambrook [9v-]10/1
Welde 3v-4/1
Waissel 1591 L4/1
Thysius 147v
Willoughby 25v-27v
Folger 14v-15 (dt)
Board 6v-7/1 and 14v-15 (dt)
Brogyntyn 13/1 (dt)
Dallis 84-85/1 (gr)
Dd.3.18 20v-21 and 59v-60 (cnst)
Trumbull 4v-5 (cnst)
Vilnius 62v-63/1 (cnst)
cf: Vilnius 58/1
408/2 95/2
Willoughby 90v
Dlugoraj 189
kbd: Mulliner 126v-127
Dd.3.18 20/2 (cnst)
Mynshall 7/3
Thysius 373v
Marsh 79
Wickhambrook 17v/1
Robinson 1603 15v
Montbuysson 30/2 & 94/2
ML 16/3
Trinity 128/2
Dd.3.18 5 (dt)
Board 25/1 and 12/2
Andrea 2/4
Vilnius 58/3 and 68/3
Folger 87v/4 and 87v/5
Brahe 10v/1
Vallet 1615 70
Marsh 42-43 and 182
Thysius 442 (dt)
Valerius 1626 164-5
Vallet 1616 34/1-35/2 (cnst pts)
Hove 1612 61v/1
cf: FWVB no.148
Vallet 1615 63-64/1 & 70/2
Dallis 171
Dd.2.11 74v/2
Thysius 371v
Board 5/3
Hove 1601 107v/2
cf: Ballet 27
408/2 113/2
Euing 46v-47
Robinson 160318v/1
2764(2) 12/3
Nn.6.36 19v-20/1 (l.v.)
Lodge 5
JD: Board 12v/2
Cosens 32v
Euing 31/2
Pickeringe 22v and 35/2
Vilnius 6v/1
Dd.9.33 29v-30 and 81v/4 (band.)
Fuhrmann 1615 114-115/1
?JD: Mynshall 8/4
Dd.2.11 53/2 and 66/3
Folger 16v
Dd.3.18 11 and 18
31392 25
Montbuysson 3v
Thysius 472/1
Straloch 1/1
Dallis 3/2
Brahe 10/2 and 18/2
Thysius 397
Vilnius 64v/3
G. B.Domenico
Dolmetsch 228-231
Fuhrmann 1615 182/2-184/1
Herhold 28/2-31v/1
Hove 1612 54v-55
Schele 10/2-11
Stobaeus 68-69/1, 69/2, 69/3 and 69/4-69v/1
Vallet 1615 41-42
Vilnius 4/3 [deleted] & 68v
Willoughby 78-80/1
Willoughby 80/2
Thistlethwaite 8v-9v/1
Marsh 61/2 and 232-233
Dd.5.78.3 73v-74
Vilnius 20v/2 and 27v
Folger 57v [inv]
Beckmann 13v/2
Brahe 14/2
Vallet 1616 8/1
Valerius 1626 132-133
cf: Thysius 387v
Barley 1596 45-46
Dd.4.22 11v
Euing 27/2
Mynshall 9v/1
Vilnius 7v/1
Weld 2/2 (cnst)
Ballet 14 (cnst)
Dd.9.33 89 (dt tr.)
Dd.2.11 56/2 (dt pt)
Nn.6.36 15/3 (l.v.)
Thysius 185v/2
Vilnius 60/1
Herhold 18v/2-21/1
Dallis 49/2-50/1
Dallis 71/2 (dvns)
Schele 20-24/1 (dvns)
Hove 1601 106v/1 (dvns)
Eijsertt 33 and 37
Richard 22
FWVB no.65 (Byrd)
Dd.2.11 55v/3
Mynshall 5v/3
Montbuysson 23v/2 & 38
Fuhrmann 1615 47/2
Bautzen 50/1 and 50/2
Hove 1601 106/2
Thysius 399/1
Schmall 22v
cf: Vilnius 1/1 (dt)
Vilnius 1/2 (band.)
Board 8/2
Montbuysson 3v/1
Vilnius 57v/3
Bautzen 69/2
Sampson 3v/2
Welde 1
Dallis 162
Dd.4.22 3
Dd.9.33 82v-83
Dd.2.11 66v/2
Nn.6.36 23v
Dallis 162
Robinson 1603 22v-23
Mynshall 5/2-5v/1
Wemyss 23/3-24/1
Wickhambrook 14v-15/1
Cosens 20v-21
Folger 1v-2 (frgmt)
Pickeringe 11/2 & 11v-12 (dt pts)
Dd.3.18 14v-15/1 (dt)
cf: Thysius 142/2
Stobaeus 22v/2
Dolmetsch 23v-25 and 25v-26
Valerius1626 258-260
Vallet1615 57
Vallet1616 6/2
Vilnius 27
Sampson 4/2
Folger 3/1
Folger 7v-8/1
Bautzen 85/2
Cosens 32v
Euing 31/2
Pickeringe 22v and 35/2
Vilnius 6v/1
Dd.9.3329v-30 and 81v/4 (band.)
Fuhrmann 1615 114-115/1
?JD: Mynshall 8/4
Dd.2.11 53/2 and 66/3
Folger 16v
Dd.3.18 11 and 18
31392 25
Montbuysson 3v
cf: Ballet 27
408/2 113/2 and 104/2
Euing 46v-47
Robinson 160318v/1
Dd.2.11 80/2
Nn.6.36 19v-20/1 (l.v.)
2764(2) 12/3
Lodge 5
408/2
p.91 -- Scribe A
original
ascription
title
composer
cons.
& cogs.
76-77
[lute
song]
83/1
a
scotis. gig
Scottish
Jig
83/2
the
owld man
P.M.
83/3
lusty
gallant
Lusty
Gallant
83/4
farle
become
Farle
Become
84/1
hit
Hit
it and take it?
84/2
the
blacsmitckth
The
Blacksmith
84/3
the
woodes so wild
Will
Ye Walk theWoods SoWild
Charles
Jackson
Euing
33v-34v
84/4
hearing
by
Hearing
84/5
the
shakinge of the sheetes
The
Shaking of the Sheets
84/6
thehun
[obscure]
The
Hunt's Up
85/1
calleno
Galliard/Calleno
Casturame
?Busnois
arr.
Hove
1601 97/1
85/2
ye
ground to passing measures pavin
P.A.
Pavan, duetground
John
Johnson
Lvov
100-101v/1
85/3-86/1
a
treble
Goodnight,
duet treble
John
Johnson
Brogyntyn
7/5 (dt)
86/2
a
pavin
P.A.
Pavan
Thistlethwaite
3v-5v
86/3-87
qui
passa
Chi
Passa
88
The
quadran paven
Quadran
Pavan
Clement
Cotton
Marsh
228/1
89
The
quardran galliard
Clark's
Galliard/Quadran Galliard/ Jest
Anthony
Holborne
Ballet
10-11/1
90/1
omnino
galliard
Omnino
Galliard
John
Johnson
Marsh
287
90/2
In
Crete When Daedalus First Began
Mynshall
8/1
91/1
Rogero
qd Jo Jonsonn
Ruggiero
John
Johnson
cf:
Board 2/1
91/2
Turkeylony
Turkeylony
91/3
staynes
moris
Stanes
Morris
92-94/1
delight
pavin Jo Jonson
DelightPavan
John
Johnson
Marsh
164-165/1
94/2-95/1
the
quenes galliard E perse
Queen's
Galliard
Edward
Pierce
95/2
the
sinckapace galliarde
Sinkapace
Galliard/ Church's Galliard
Marsh
126
95/3
a
march
The
Earl of Oxford'sMarch
2764(2)
7v/2-8/1
96
[n.t.]
97
a
galliard caled elume alta
E
Lume Alta Galliard
Willoughby
20v-21/1
98-99/1
a
gallyard Edward perse
Galliard
EdwardPierce
99/2
a
pauin of John Jhonsons
Long
Pavan
John
Johnson
Dd.2.11
47v-48/1 and 64v (band.)
100/1
a
pauin of Jhon Jhonsons
Pavan
John
Johnson
100/2
mounsers
galliard
Mounsieur's
Galliard
100/3-101/1
Robinsons
toye
Toy
Thomas
Robinson
Dd.5.78.3
11/2
101/2
Mary
thornyes galliard
Mary
Thorny's Galliard
101/3-102
& 105/1
a
pauin
Pavan
Marsh
187-186/3
103/1
sellingers
rownde
Sellenger's
Round/ Est-ce Mars/TheFrenchTune
Schele
59/2
103/2
lighttie
loue ladyes
Light
of Love/The Countess of Ormond's Galliard
Adriansen
1584 92v/3 and 1592 78v
103/3
larouse
Larousse
103/4
all
floures in brome
All
Flowers of the Broom
104/1
greenesleues
Greensleeves
Francis
Cutting
31392
29/2
104/2
Robin
Hood/Toy
Dd.2.11
80/2
104/3
trike
my whele
The
Hunt's Up, Go Merrily While
Vilnius15/4
104/4
Buffons
Buffoons,
Bergamasca Setting
cf:
Thysius 373/2
104/5
the
nigites
[n.t.]
104/6
welad[y]
Welladay,
duet ground
105/2
a
galliard
Galliard
Marsh
62-63
106-107/1
a
galliard caled nusquam
Nusquam
Galliard
Marsh
35
107/2-108/1
a
pauin
Pavan
Marsh
82-83
108/2-109
a
galliard caled phillida
Philida
Galliard/ Conde Claro
Guillaume
Morlaye
Willoughby
38-39v
110
mr
numans pauin
Pavan
Newman
Dallis
194 and 196-198/1
111/1
Fortune
Fortune
My Foe
Stobaeus
79v
111/2
Orlando
Orlando
Sleepeth/Orlando Furioso
John
Dowland [61]
Board
1/3
111/3
[n.t.]
111/4
Prannels
galiarde.
Prannel's
Galliard
111/5
Baloo
Baloo
111/6
The
Earle of Darbyes Caraunta
Earl
of Derby'sCourant/French King's Maske
Dd.2.11
61v/2
111/7
[n.t.]
112/1
The
spanishe Pauin
Spanish
Pavan
Francis
Pilkington
31392
25v
112/2
Wilsons
Wile
Wilson's
Wild
Dd.2.11
68v/2
112/3
Wigmores
galiarde.
Wigmores
Galliard
112/4
Wil<sor>
Soane
Wilson's
Son
113/1
TheVoice
of the Earthe.
The
Voice of the Earth/The Ghost
Montbuysson
24/2 [frgmt]
113/2
Robin
hood is to the greenwood gone.
Robin
is to the Greenwood Gone/Bonny Sweet Robin/Robin Hood
John
Dowland [70]
JD:
Board 12v/2
408/2 p.111 -- Scribe B
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