Thistlewaite

GB-Edinburgh University Library, Ms.Dc.5.125

DATE: c1575

Page measurements: 215 x 285 mm

Household or Personal Anthology in oblong folio format. Bought by the library from Grant's booksellers, Edinburgh, on 24 March, 1945. Grant's is no longer in existence. The paper, particularly the last gathering, suffers from foxing. The binding has been replaced, as Lumsden's description in 1957 shows: 'Well-worn leather binding, tooled in gold (much faded). Remnants of fastening tapes still in position. Monogram 'I B' on front and back. Very dilapidated condition, with damp marks showing throughout.' The ties no longer exist, though the holes are still visible, and the binding itself, though retaining the original boards is now very tight and it is not therefore possible to see the collation of all the book clearly. The surface of the leather appears to have been used as a board for cutting and pricking leather for stitching, and is certainly battered. The restoration, of which the library has no detailed record, was undertaken around 1965 when the manuscript was prepared for microfilm photography, though judging by the state of the MS in the microfilm, further restoration work has since been done, mainly to the lower half of the fore-edge from f.75 onwards, with repairs to the whole edge from f.93 to the end. The work appears to have been fairly successful as far as restoring the music to legibility is concerned. Damaged corners are reinforced with gauze, and even with the foxing all the music is now visible, despite Lumsden's comment that 'the bottom right-hand corner becomes progressively more worn, obscuring many bars of tablature, particularly cadences.' There appear to be some single sheets among what should be the first few gatherings, but it is not possible to tell whether this is an original feature of the front of the book, or whether it is the result of repair work. Unfortunately Lumsden does not list the gatherings or describe the collation. The contents suggest a certain amount of disturbance at this point, indicating that any division of the first gatherings probably dates from after the copying of the book. The date of the MS and its original purpose are cause for some contention--both matters are discussed at length, and with variable plausibility, in Ward 1992.

Bibliography: Lumsden 1957A (dated c1615)
Spencer 1974B (dated c1590)
Boetticher 1978 (dated c1590-1605)
Rooley 1980 (dated c1580)
Julia Craig-McFeely: 'The Thistlethwaite Lute Manuscript' Unpubd paper, RMA Music Research Student's Conference, December 1987 (dated 1575)
Ward 1992 (dated late 1560s andearly 1570s)


folio
original ascription
title
composer
cons. & cogs.
2-3/1
The most asso[red] / Tribill
Dump, duet treble

Dd.3.18 71v-72
Schele 16/3
Marsh 150-151/1
3/2

[frgmt]


3v-5v

P.A. Pavan

408/2 86/2
Stowe389 123
6

Galliard


6v-7
a galliard
Galliard

Marsh 57
7v-8

Galliard


8v-9v/1
A paven. / a pavan
Pavan

Marsh 82-83
408/2 107/2-108/1
9v/2

[frgmt]


10v

Pavan [frgmt]


11v-13v

Galliard


14v

Ground [frgmt]


15

Quadran Pavan [frgmt]


15v-17v
pavan quadro
Quadran Pavan


18/1
f.r. [ga ?]
Galliard?
J R

18/2

Exercise? [frgmt]


18v-22
f. / .F. .f.
Fantasia
Francesco da Milano

22v-24v/1
.F.
Fantasia
Francesco da Milano

24v/2

[n.t.]


25

[n.t.]


25v-26
f .f. .F.
Fantasia
Francesco da Milano

26v-28v
.f.
Fantasia
Francesco da Milano

29v-31v
f / .f.
Fantasia
Francesco da Milano
Marsh 236/2-238
32
.S"io fostri certo di douer morire ..... il morire
Villanella S'io Fostri Certo


32v-34
.F.
Fantasia?


34v-35
O tu che mi dai quai ..... quasta mia vita
O Ta Che Mi Dai by Luca Marenzio


35v-36

Galliard
Henry Lichfield
Marsh 58/2-59
36v-37
madona
Madonna


37v-39

Suzanne Un Jour
Lassus arr.
Dallis 100-101 and 138-139/1
Dd.2.11 23v-24/1
Herbert 67v
Thysius 169v/2-181 (cnst pts)
Wickhambrook 13v-14/1
40v-43
.fl. .F.
Fantasia?


43v-44/1
.F.
Fantasia?


44/2

[frgmt]


44v-47
.T. / .T.
Stabat Mater

see Ward 1992
47v-50
.r. .B. / T. f.
Benedicta es Coelorum Regina?
Josquin des Pres arr.
Thistlethwaite 81v-84
50v-51

Fantasia


51v-52
.F.
Fantasia
Francesco da Milano

52v-53
T
Toccata?


53v-54v

[n.t.]


55v

[n.t.]


58v-62v
B2
[n.t.]


63v-64
gallirda
Galliard


64v-65

Passamezzo


65v-67

Fancy


67v-68

[intabulation]


68v-70
A galliard
Galliard


70v-71

Ground, A Down

Dd.2.11 94/2
71v-73

Fancy


73v-74v
a fantasia
Fantasia

Dd.2.11 25v
75v-77v/1

[n.t.]


77v/2-78
a fantasie by mr marchant for ii lutes
Fantasia, first part of duet


78v-80

[n.t.]


81v-84
benedicta
Benedicta es Coelorum Regina
Josquin des Pres arr.
Thistlethwaite 47v-50
84v-86/1
a fansi de francesco [?] de melayne
Fantasia
Francesco da Milano

86/2

[intabulation]


86v

[frgmt]


87v-89
A pavyan
Heaven and Earth/ King's Pavan

RA58 52/4 & 55v
Osborn 1v-2v/1
Sampson 4/1
89v-90

Galliard


90v-92v

Fantasia
Alberto da Rippe

93v-95v
s[cri]ps[it] me Thisstllethwaite
Passamezzo Pavan
Thistlethwaite


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