DATE: c1595
Page measurements: 410 x 280 mm
Professional book in upright folio format. Its provenance was discussed by Daphne Stephens. The title seems to have been derived from the village of Wickhambrook where an owner of the book between 1936 and 1947, MissDulcie Lawrence-Smith, lived. The hand of Scribe A is very similar to those in Welde and Folger C in neatness, size and consistency, but it is almost certainly concordant with Folger C, possibly written by a pupil of John Johnson, as all the music in this hand is by him. Scribe B uses a different final double bar and a slightly different angulation in the flagging, but is otherwise very similar to Scribe A, and appears to have been filling in gaps left by him. All the ascriptions were written in the same hand, possibly that of Scribe A, although it is quite possible that the two hands were written by the same scribe,and since the script does not vary dramatically, either in the tablature or the ascriptions, it is unlikely that the two layers were chronologically very widely separated.
Though Stephens gives c1595 for the MS, the consensus among the other sources seem to be c1590. However, Lord Willoughby's Welcome Home is based on a tune only registered c1590 and Ferdinando Stanley became Lord Strange in 1593, so c1595 seems a more accurate date. The watermarks are found in papers manufactured between 1564 and 1598, which does notcontradict either of the dates given here. Although both this source and Folger show what appear to be signatures of the Johnsons, it seemsunlikely that either MS was written by them, since the signatures are not consistently appended to all the music byJohn Johnson.
Bibliography: Newton 1939
Lumsden 1953
Lumsden 1957A
Daphne Stephens, ed.: New Haven, Conn., Yale University, School of Music, Ma.21.W.632; the Wickhambrook Lute Book (New Haven, 1963)
Poulton 1982
folio
Marsh 164-165/1
Dallis 84-85/1
Mynshall 7v/1
Welde 3v-4/1
Waissel 1591 L4/1
Thysius 147v
Willoughby 25v-27v
Folger 14v-15 (dt)
Board 6v-7/1 and 14v-15 (dt)
Brogyntyn 13/1 (dt)
Dallis 84-85/1 (gr)
Dd.3.18 20v-21 and 59v-60 (cnst)
Trumbull 4v-5 (cnst)
Vilnius 62v-63/1 (cnst)
Board 7v/1
Vilnius 61
Marsh 166
Pickeringe 32/2
Willoughby 28-29/1
cf: Naples 365
Ballet 15
Sampson 12v/2-13
Mynshall 1v-2/1
Sampson 8
Marsh 120-121
Dd.2.11 31v-32/1
Ballet 8-9
Ballet 10-11/1
Dd.2.11 60v/2 and 72v/1
Hirsch 7v/1
Trumbull 4/2
Nn.6.36 14v/1
Welde 2v/2-3
Board 5v-6/1
Dallis 254-255
Hove 1601 92-92v
Valerius 1626 137-138
Montbuysson 79v-80
Eijsertt 10
Dlugoraj no.80-82
Bautzen 39
cf: Dallis 82, 83/1 and 124-125
FWVB no.85
Euing 38/2
Mynshall 1/2
Pickeringe 25/3 and 33v/1
Vilnius 57/3
cf: Folger 9v/1 (dt)
Hove1601 107v/3
Robinson1603 40-41
Thysius 389/1
Valerius1626 83
Vallet1615 47-48
Vilnius 14v/1
Dlugoraj 372
Cologne 24
Fabritius no.9
Hainhofer IV 36
Besard1603 134v/2
Richard 24
Dd.2.11 58v/2
Sampson 11v/2 (dt/cnst)
Dd.2.11 14v/1 (band.)
Dd.2.11 17/2
Dd.2.11 23v-24/1
Dd.5.78.3 37v-39
Herbert 67v
Thistlethwaite 37v-39
Thysius 169v/2-181 (cnst pts)
Folger 12
cf: Schele 143-144/1
Ballet 45 [inv] (dt)
Brogyntyn 28/2-29/1 (dt)
Wickhambrook 15v/2 [inv] (dt)
Dd.3.18 61v (cnst)
Wickhambrook 14/2 (dt, inc.)
Folger 12 (dt)
Pickeringe 4/1
ML 7 (solo)
Mynshall 12 (solo)
Sampson 9v (solo)
Weld 2v/1 (solo)
Dallis 85/2 (solo)
Vilnius 7 and 40/1 (solo)
Wickhambrook 15v/1 (dt)
Schele 143-144/1 (dt)
Dd.2.11 36v-37/1 (band.)
Sampson 3v/2
Welde 1
Dallis 162
Dd.4.22 3
Dd.9.33 82v-83
Dd.2.11 66v/2
Nn.6.36 23v
Dallis 162
Robinson 1603 22v-23
408/2 112/1
Mynshall 5/2-5v/1
Wemyss 23/3-24/1
Cosens 20v-21
Folger 1v-2 (frgmt)
Pickeringe 11/2 & 11v-12 (dt pts)
Dd.3.18 14v-15/1 (dt)
cf: Thysius 142/2
Stobaeus 22v/2
Dolmetsch 23v-25 and 25v-26
Valerius1626 258-260
Vallet1615 57
Vallet1616 6/2
Vilnius 27
Sampson 7/1 and 7/2
2764(2) 6/2
Pickeringe 19/4
Dd.2.11 63v/2
Dd.4..23 31v
cf: Ballet 45 [inv] (dt)
Brogyntyn 28/2-29/1 (dt)
Wickhambrook 15v/2 [inv] (dt)
Dd.3.18 61v (cnst)
Wickhambrook 14/2 (dt, inc.)
Folger 12 (dt)
Pickeringe 4/1
ML 7 (solo)
Mynshall 12 (solo)
Sampson 9v (solo)
Weld 2v/1 (solo)
Dallis 85/2 (solo)
Vilnius 7 and 40/1 (solo)
Schele 143-144/1 (dt)
Dd.2.11 36v-37/1 (band.)
Brogyntyn 28/2-29/1 (dt)
Pickeringe 4/1 (dt)
cf: Dd.3.18 61v (cnst)
ML 7 (solo)
Mynshall 12 (solo)
Sampson 9v (solo)
Weld 2v/1 (solo)
Dallis 85/2 (solo)
Vilnius 7 and 40/1 (solo)
Wickhambrook 15v/1 (dt)
Wickhambrook 14/2
Folger 12
Schele 143-144/1
Dd.2.11 36v-37/1 (band.)
cf: Ballet 46 (dt)
Ballet 47 [inv] (dt)
Brogyntyn 29/2 (dt)
Pickeringe 4/2 (dt)
Wickhambrook 16/2 [inv] (dt)
Marsh 264 (solo)
Brogyntyn 29/2
cf: Ballet 46 (dt)
Ballet 47 [inv] (dt)
Marsh 264 (solo)
Pickeringe 4v/1 (dt)
Wickhambrook 16/1 (dt)
Dd.4.22 12
Dd.9.33 38v-40, 47 & 53v
Genoa 139v-140
Dowland 1610B 27-28v
Marsh 18
Thysius 484
Valerius 1626 286-287
cf: Dd.3.18 35v (dt)
Euing 19v (dt)
Mynshall 10/2 (dt)
Welde 14v/2-15 (dt)
2764(2) 12v/2 (dt/cnst)
Schele 147/2-148/1 (cnst)
Vilnius 1/3 (cnst band.)
GB-Lbl Add.Ms.30342 31v
different settings: Cosens 15v-17 and 44v-46
Dd.2.11 33v-34/1
Hove 1601 99v and 108v
Dd.5.78.3 70v/2-71/1
2764(2) 10v
Dd.2.11 48/3
Welde 5/3
Mynshall 10/1
Besard 1603 139v
Thysius 492/1
Folger 11v
Fuhrmann 1615 80/2
Hove 1612 59/2
Richard 59v/2-60
cf: Vilnius 66v/2
Dlugoraj 367
Eijsertt 27
Cologne 59v-60
Vilnius 24
cf: Nn.6.36 19 (l.v.) and 20v-21/1 (l.v.)
JD [31]: Dd.5.78.3 37/2
Dd.2.11 82v/1 (band.)
Anthony Holborne: Dd.5.78.3 12/2
Edward Collard: Cosens 9v
Dd.2.11 96v-97/1
Weld 9v/3-10
Francis Cutting: Barley 1596 73-75 (orph.)
Dd.2.11 96
Dd.5.78.3 50v-51/1
Euing 43v-44/1
JD [67]:Dd.9.33 67v-68
John Johnson: Dd.2.11 98/1
Marchant: Dd.9.33 26v-28/1
Dd.2.11 29/2
Dd.9.33 21
Marsh 319
408/2 99/2
original
ascription
title
composer
cons.
& cogs.
[9v]-10/1
Jhonsons
delighte
Delight
Pavan [frgmt]
John
Johnson
408/2
92-94/1
10/2
the
galiard to delight
Delight
Galliard
John
Johnson
Welde
4/2
10/3
my
Lo: strange his galiarde
Lord
Strange's Galliard
Dd.2.11
49v/2-50/1 and 71v/1
10v-11/1
the
Quadrone pauene Jo: Jhonsone
Quadran
Pavan
John
Johnson
Dallis
56-59/1
11/2
a
galiarde of clarkes
Clark's
Galliard/ Quadran Galliard/ Jest
Anthony
Holborne
408/2
89
11/3
tarletones
riserrectione Jo: Dowlande
Tarleton's
Resurrection [unica]
John
Dowland [59]
11v
Pavan
12/1
a
pauyne by Mr Phillipes
Pavan
Peter
Phillips
Dd.2.11
98v-99/1
12/2
my
lo: willobeis tune Jhone Doulande
Lord
Willoughby's Welcome Home/ Roland
John
Dowland [66]
Dd.5.78.3
28v
12v
Ma
Pauvre Bourse
Philip
van Wilder
Dallis
50/2-51
13
Si
vou voules
Si
Vous Voulez
Dd.2.11
24v-25/1
13v-14/1
Suzanne
UnJour
Lassus
arr.
Dallis
100-101 and 138-139/1
14/2
Lavecchia
Pavan, first part of duet [inc.]
John
Johnson
Pickeringe
4/1
14v-15/1
the
oulde spannyshe pauen Finis the oulde spannyshe pauen
Spanish
Pavan
Francis
Pilkington
31392
25v
15/2
<Whi>
Mistris Whittes thinge Jhone Dowlande
Mrs
White's Choice /Thing
John
Dowland [50]
ML
2/1
15v/1
Lavecchia
Pavan, first part of duet
John
Johnson
Schele
143-144/1
15v/2
[inv]
Lavecchia
Pavan, second part of duet
John
Johnson
Ballet
45 [inv] (dt)
16/1
Lavecchia
Galliard, first part of duet
John
Johnson
Pickeringe
4v/1
16/2
[inv]
Lavecchia
Galliard, second part of duet
John
Johnson
Pickeringe
4/2
16v-17/1
Passamezzo
Pavan
John
Johnson
Dd.3.18
24v-25
17/2
mounsers
almane
Mounsieur's
Almain
Daniel
Bacheler
Folger
13
17/3
ane
alman[e]
Lady
Laiton's Almain
John
Dowland [48]
Schele
145/2-146/1
17/4
As
I wente to Walsinghame
Walsingham
Galliard
John
Dowland?
Bautzen
35/1
17/5
knowles
his galiarde
Knole's
Galliard
Knowles
Trumbull
8/2
17v/1
Pavane
Jo:Johnson
Long
Pavan
JohnJohnson
Dd.2.11
47v-48/1and 64v (band.)
17v/2
Johnson
galiarde
Long
Galliard
John
Johnson
Dd.2.11
46v/1
17v/3
A
grounde Jo:Jhonson
Ground
John
Johnson
| The Lute Page | Julia Craig-McFeely's Thesis | Index |