Bibliography: [Facsimile] ed. Diana Poulton (Scolar Press, Menston, 1968)
Sig.
original
ascription
title
composer
cons.
& cogs.
L2v/1
My
Lord Chamberlaine his Galliard. CANTVS.
My
Lord Chamberlain's Galliard, for two to play on one lute, treble
John
Dowland [37]
Dd.9.33
90/2
L2v/2
BASSVS.
My
Lord Chamberlain's Galliard, for two to play on one lute, ground
John
Dowland [37]
N1v
Dowlands
adew for Master Oliuer Cromwell.
Dowland's
Adieu for Master Oliver Cromwell/Resolution
John
Dowland [13]
Nn.6.36
18/2-18v/1
Robert Dowland A Musicall Banquet
YEAR OF PUBLICATION: 1610
Bibliography: [Facsimile] ed. Diana Poulton (Scolar Press, Menston, 1969)
page
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original
ascription
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title
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composer
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cons.
& cogs.
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The
Right Honourable the Lord Viscount Lisle, Lord Chamberlaine to the Queenes most
excellent Maiestie, his Galliard / Iohn Douland Batchelar ofMusick
|
Viscount
Lisle's Galliard/Susanna Galliard
|
John
Dowland [91]
|
Dd.2.11
52/1
|
YEAR OF PUBLICATION: 1610
Bibliography: [Facsimile] (London, 1958)
folio
Mertel 1615 270-271/1
cf: Besard 1603 27v
Galilei 1620 116
Como 46v
Hirsch 8v-9/1
Dd.2.11 21v
cf: Besard 1603 32
31392 13v-14v/1 and 24
ML 14v-15
Pickeringe 24v-25/1
Besard 1603 170v-171v/1
Euing 16v-17
Mertel 1615 226/2-228/1
Brahe 27v-31
Dd.5.78.3 66v
Euing 19/1
Mylius 1622 48-49
Fuhrmann 1615 53-55/1
Euing 30v-31/1
ML 12v-13/1
Pickeringe 17v-18/1
Welde 5v
Board 17v-18
Sampson 7v
Folger 10v-11
Vilnius 22v/2 and 22v/3-23/1
Fuhrmann 1615 112-113/1
Brahe 33
Montbuysson 2/1 and 56v/2-57/1
Dd.2.11 40v/1 and 62v/1
Euing 24/1
Folger 16
Hirsch 11v/1
Herbert 55/2
Nn.6.36 37
Cosens 48
Fuhrmann 1615 121/2-122
Bautzen 31/1
Thysius 22v/1
Vallet 1615 36-40
Vilnius 58v/2
Dd.5.78.3 38/2
Euing 21/3
Welde 7/3
Sampson 13v
Nn.6.36 1 and 2
Herhold 39v/2-40v
Vilnius 21/3, 21v/2 and 56v/4
Schele 146/2-147/1
Marsh 190
Dd.5.78.3 9/1
Dd.9.33 91v
Pickeringe 18/2
Welde 5/1
Mynshall 8/3
Thysius 21v/1 and 392v
cf: Vilnius 21/2
Marsh 381
Nürnberg 2
Folger 13
Dd.4.22 12
Dd.9.33 38v-40, 47 & 53v
Genoa 139v-140
Marsh 18
Thysius 484
Valerius 1626 286-287
Dd.3.18 35v (dt)
Euing 19v (dt)
Mynshall 10/2 (dt)
Welde 14v/2-15 (dt)
2764(2) 12v/2 (dt/cnst)
Schele 147/2-148/1 (cnst)
Vilnius 1/3 (cnst band.)
GB-Lbl Add.Ms..30342 31v
cf: Dd.9.33 38v-40
Cosens 15v-17 and 44v-46
Dd.2.11 33v-34/1
Hove 1601 99v and 108v
Dd.5.78.3 70v/2-71/1
Ballet 65
ML 4/2
10444 21
Brade 1617 no.49
GB-Lbl Add.Ms.17786-91 no.6
ML 8v/1
Folger 13v-14/1
2764(2) 10
Ballet 7/1 (?dt)
Schele 148/2 (cnst)
Brahe 16v-17/1
Thysius 503
Schele 88/1
Besard 1603 152v/2
ML 25/2
Dowland 1610B 32v
Herbert 65/1
Fuhrmann 1615 162/2
Werl 91
Basle 11-12
Moy 1631 31v
Aegidius 122v-123
Dd.9.33 75v
Dolmetsch 121v-122
St Petersburg 25v-26
original
ascription
title
composer
cons.
& cogs.
10v-11
Composed
by the most famous Diomedes of Venice: Lutenist to the high and mightie
Sigismundus, 2deg..King of Poland. Fantasie.I
Fantasia
Diomedes
Cato
Fuhrmann
1615 15-16/1
11v-12/1
Composed
by the most famous, the KNIGHT of the Lute. Fantasie. 2
Fantasia
Laurencini
Herbert
14v-15/1
12/2-12v/1
Composed
by the most famousIacobus Reis of Augusta: Lutenist to the most mightie and
victorious Henricus 4. French King. Fantasie. 3
Fantasia
Jacob
Reys
12v/2-13/1
Composed
by the most famous and diuine Laurenciniof Rome. Fantasie. 4
Fantasia
Laurencini
Besard
1603 26v-27/1
13/2-13v
Composed
by the most Artificiall and famous, Alfonso Ferrabosco of Bologna. Fantasie.
5
Fantasia
Alfonso
Ferrabosco
Herbert
44v
14-14v
Composed
by the most famous Gregorio Huwet of Antwerpe: Lutenist to the most high and
mightie Henericus Iulius, Duke of Brunswicke, &c. Fantasie.5
Fantasia
Gregory
Huwet
Denss
1594 68v-69
15-16
Composed
by Iohn Douland, Batchelar of Musicke. Fantasie. 7 / Here endeth the
Fantasies.
Fantasia
John
Dowland [1]
Cosens
8v-9
16v-17
Here
beginnith the Pauins: ....Mauritius Landgrauius Hessia fecit in honorem Ioanni
Doulandi Anglorum Orphei. Pauin. 1
Pavan
Mauritius,
Landgrave of Hessen
17v
Composed
by the most famous and perfect Artist Anthonie Holborne, Gentleman Vsher to the
most Sacred Elizabeth, lateQueene of England, &c. Pauin. 2
Pavan
Anthony
Holborne
Herbert
8
18
Composed
by the excellent Musition Thomas Morley Batcheler of Musicke, and Organist in
the Chappell ofthe most Sacred Elizabeth, late Queene of England, &c.
Pauin. 3
Pavan
Thomas
Morley
18v-19
Composed
by the right perfect Musition Daniell Batchelar: one of the Groomes of her
Maiesties Priuie Chamber. Pauin. 4
Pavan
Daniel
Bacheler
Nn.6.36
11v-12
19v-20v/1
Composed
by Iohn Douland Batcheler of Musicke. Pauin. 5 Sir Iohn Langton his Pauin.
Sir
John Langton's Pavan
John
Dowland [14a]
Dd.5.78.3
2v-3
20v/2-21
Composed
by the most Artificiall and famous Alfonso Ferrabosco of Bologna. Pauin. 6
Pavan
Alfonso
Ferrabosco
Dd.5.78.3
36v-37/1
21v-22
Composed
by Robert Douland. Pauin. 7 Sir Tho. Monson his Pauin. / Here endeth the
Pauins.
Sir
Thomas Monson's Pavan
Robert
Dowland
22v-23
Here
beginneth theGalliards: the first whereof is commonly knowne by the name of the
most high and mightie Christianus the fourth King of Denmarke, his Galliard.
Galliard. 1 / Iohn Dowland, Batcheler of Musick.
Battle
Galliard/ King of Denmark's Galliard/Mr Mildmay's Galliard
John
Dowland [40]
Dd..9.33
23 &94v
23v
The
most sacred Queene Elizabeth, her Galliard. Galliard. 2 / Iohn
Dowland,Batcheler of Musick.
Queen
Elizabeth's Galliard
John
Dowland [41]
Dd.2.11
59/1
24
The
Right Honourable Robert Earle of Essex, high Marshall of England, his Galliard.
Galliard 3 / Iohn Dowland, Batcheler of Musick.
Earl
of Essex's Galliard/ Can SheExcuse
John
Dowland [42]
Barley
1596 62 (orph.)
24v
The
Right Honourable Ferdinando Earle of Darby, his Galliard. Galliard. 4 / Iohn
Dowland, Batcheler of Musick.
Earl
of Derby's Galliard
John
Dowland [44a]
Schele
142
25
The
Right Honourable the Lady Rich,her Galliard. Galliard. 5 / Iohn Dowland,
Batcheler of Musick.
Lady
Rich's Galliard/ Dowland's Bells
John
Dowland [43a]
Dlugoraj
147
25v-26/1
The
Right Honorable the Lady Cliftons Spirit. Galliard. 6 / Robert Douland.
Lady
Clifton's Spirit/K D'Arcy's Spirit
John
Dowland [45]
Dd.2.11
58/2
26/2-26v
Sir
Thomas Monson his Galliard. Galliard. 7 / Here endeth the Galliards.
Sir
Thomas Monson's Galliard
Robert
Dowland
27-28v
Here
beginneth the Almaines: the first whereof is commonly knowne by the name of
Mounsiers Almaine. Almaine. 1 / Daniell Bacheler.
Mounsieur's
Almain
Daniel
Bacheler
Wickhambrook
17/2
29
Sir
Henry Guilforde his Almaine.
Sir
Henry Guildford's Almain
29v/1
The
first of the Queens Maskes.
First
Almain of the Queen's Maske
29v/2-30/1
The
second of the Queenes Maskes.
Second
Almain of the Queen's Maske
30/2
The
last of the Queenes Maskes.
Last
Almain of the Queen's Maske
Board
41/3
30v/1
The
Witches daunce in the Queenes Maske.
The
Witch's Dance from the Queen's Maske
Board
26/1
30v/2-31
Sir
Iohn Smith his Almaine. / Here endeth the Almaines.
Sir
John Smith's Almain
John
Dowland [47]
Marsh
384
31v/1
Here
beginneth the Corantoes: the first whereof is commonly knowne by the name of
MounsierBallard his Coranto. Coranto. 1
Ballard's
Courant
Robert
Ballard
Herbert
36v/2
31v/2
Iohn
Perrichon his Coranto. Coranto. 2
Mrs
Lettice Rich's Courant
Julien
Perrichon
Board
18v/2
32
Coranto.
3
Courant
Brade
1617 no.29
32v
Mounsier
Saman his Coranto. Coranto. 4
Courant
Mercure
d'Orléans/René Saman
Schele
64/1 and 87
33
Mounsier
Saman. Coranto. 5
Courant
René
Saman/ Robert Ballard
cf:
Ballard 1611 62/2-64/1
33v/1
Coranto.
6
Courant
Mathias
Mason
Vilnius
4/1 and 5v/1
33v/2
Coranto.
7 / Here endeth the Corantoes.
Courant
Saman
Herbert
66v/1
34
Here
beginneth the Voltes. Volt. 1
Volt
Besard
1603 164/2
34v
Volt
2
Volt/
Courant
Robert
Ballard
Ballard
1611 84/2-86/1
35
Volt.
3
Volt/
Courant
Gauthier
Herbert
72/3
35v/1
Volt.
4
Volt
Gauthier
Herbert
49v/1
35v/2-36/1
Volt.
5
Volt
36/2
Volt.
6
Volt
Julien
Perrichon
Herbert
74/2
36v
Volt
7 / FINIS.
Volt
John Dowland Pilgrimes Solace
YEAR OF PUBLICATION: 1612
Bibliography: [Facsimile] ed. Diana Poulton (Scolar Press, Menston, 1970)
Sig.
|
original
ascription
|
title
|
composer
|
cons.
& cogs.
|
| N2v
|
Galliard
to Lachrimæ.
|
Lachrimae
Galliard
|
John
Dowland [46]
|
Stobaeus
44v
|
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