All known sources for each piece are listed
Abbreviations:
= equal parts
TG Treble/Ground
Walsingham Sometimes known as the Beverly and Mills Consort Books. Hull, University, The Brynmor Jones Library, MSS DDHO/20/1-3; flute treble viol and bass viol part books. Oakland, California, Mills College Library; cittern part-book. Four of the Walsingham Consort Books, 1588.
Holmes Matthew Holmes Consort Books: Cambridge University Library,Lute (L) Dd.3.18 (also contains duet music); Recorder (R) Dd.5.21; Bass Viol (V) Dd.5.20; Cittern (C) Dd.14.24
Browne The Browne (formerly Braye) bandora (c1600) and lyra viol (c1635-40) book, owned by Robert Spencer
Morley Thomas Morley The First Book of Consort Lessons (London, 1599/R 1611) ed. Sydney Beck (New York, 1959)
Rosseter FluteUS-NYpl Drexel 5433.5; Cittern GB-Lcm Ms II.E.43
Composer
|
Title
|
Lutes
|
Duet
Sources
|
Consort
Sources and notes
|
| Richard
Allison
|
Allison's
Pavan
|
Dd.3.18
19v-20/1
| ||
| Richard
Allison
|
Bacheler's
Delight
|
Dd.3.18
44v/2-45
| ||
| Richard
Allison
|
De
la Tromba pavan/Lady Frances Sidney's Goodmorrow
|
=
|
FIRST Pickeringe 7v-8r/1 ?Dd.3.18 45v-46 SECOND Pickeringe 6v/2-7r Sampson 10v-11r/1
Brogyntyn 26-27/1
|
Walsingham no.1 The Lady Frances Sidneys Goodmorowe. Mr Richard Allison Morley No.3 De la Tromba pavin Holmes No.? De la Tromba.
The lute part in Holmes (Dd.3.18 40r) contains answering trumpet calls
as in the lute duet, rather than in Morley's printed version. Although only
Walsingham has the composer's attribution this would seem acceptable
owing to the number of Allison's pieces in this source, and the strong
possibility that Allison was associated with the books in some way. The lute
duet arrangement may not be by Allison.
|
| Richard
Allison
|
Dolorosa
Pavan
|
Dd.3.18
46v-47
| ||
| Richard
Allison
|
Go
From My Window
|
=
|
FIRST
Add.2764(2) 9v
|
Dd.3.1834v-35
|
| Richard
Allison
|
Knell
|
Dd.3.18
31v-32/1.
| ||
| Richard
Allison
|
Mrs
Millicent's Pavan
|
Dd.3.18
57v-58
| ||
| Richard
Allison
|
Sharp
Pavan
|
TG
|
TREBLE Pickeringe 11v-12r/1 Folger 17v-18r ML 5v-6r GROUND Pickeringe 12r/2
Trumbull 17r/2
|
6
statements of a 12-bar ground
|
| Richard
Allison
|
Spanish
Measures
|
TG
|
TREBLE Board 4v-5r/1GROUND
Board 5r/2
|
4
statements of a 16-bar ground. Ground requires 7th course at D
|
| All
Night in Venus' Court
|
Dd.3.18
53/3
| |||
| Almain
|
=
|
FIRST ML 33v/1 SECOND
ML 33v/2
|
in
Flat French tuning
| |
| Almain
Lorraine
|
?=
|
FIRST Dd.4.22 2r/1 Sampson 3r/1 Thysius 501r Folger 2v/1 SECOND Sampson 3r/2
Folger 2v/2
|
Popular
piece reprinted (for other media) many times 1552-83. See Brown 1965
| |
| Alpha
Pavan
|
=
|
SECOND
Brogyntyn 13/2
|
Holmes
Cittern 26r
Braye 16v
| |
| Ballet
|
=
|
FIRST Besard 1603 150v/1 SECOND Besard 1603 151/1.
Dolmetsch 135v-6
|
||
| Ballet
des Folles
|
=
|
FIRST Besard 1603 150v/2 SECOND
Besard 1603 151/2
|
||
| Battle
|
=
tone apart
|
FIRST Pickeringe 53v-54r SECOND
Pickeringe 52v-53r
|
The
6th course is lowered one tone on each lute. See also Thistlethwaite.
| |
| Battle
|
=
|
FIRST Dallis 238-39/1 SECOND Dallis 239/2-40/1 Phalese 1563 56v-57r (both) Phalese 1568 60v-61r (both)
Phalese 1571 98v-99r (both)Not the same as above.
|
Although
not strictly an English duet, this is included because of its appearance in a
major Golden Age source. It is the only duet from the continental repertory to
appear in an English MS collection. See also Thistlethwaite.
| |
| Bodkin
|
TG
|
TREBLE
Dd.3.18 44r/2-44v/1
|
9
statements of a 4-bar ground
| |
| Callinoe
|
TG
|
TREBLE
Dd.3.18 3r
|
8
statements of an 8-bar ground
| |
| Chi
passa
|
=,
4th apart
|
FIRST Willoughby 83v-84r SECOND
Willoughby 84v-85/1
|
A
basic setting without divisions
| |
| De
la Court Pavan
|
Dd.3.18
47v-48/1
Dd.3.18 72v(recorder)
| |||
| De
la Tromba Galliard
|
=
|
SECOND
Brogyntyn 27/1-28/1
|
Rosseter
only flute and cittern survive
| |
| Dolorosa
Pavan
|
Dd.3.18
53v
| |||
| Drewry's
Accords
|
=
|
FIRST Pickeringe 6v/1 Ballet 48 SECOND Pickeringe 6r/2 Brogyntyn 30
Ballet 49/1
|
||
| Dump
|
TG
|
TREBLE
Dd.3.18 6r/2 and 6v-7r
|
14
statements of a 4-bar ground.
| |
| Duncome's
Galliard
|
?=
|
FIRST
Sampson 12r
|
Holmes
Dd.3.18 17r/2 /Recorder 5r/Viol 5r/Cittern17r
| |
Earl of Oxford's March
|
Dd.3.18
20/2.
| |||
| Emerald
Galliard
|
Dd.3.18
52v/1
| |||
| French
Volt
|
Dd.3.18
8/2
Euing 23v/2
| |||
| Galliard
|
1
L, 4 hands
|
Trumbull
32v (both partsin score)
|
7th
course at D. Similar to Dowland's 'My Lord Chamberlain...' but sufficiently
different to merit inclusion as a separate piece
| |
| Galliard
|
?=
|
FIRST
Trumbull 33v
|
The
'report' style of this piece makes reconstruction of the missing second part a
viable proposition. The piece is omitted from the inventory in the facsimile
| |
| Galliard
|
=
|
FIRST Phalese 1552 92/2. SECOND
Phalese 1552 93/2.
|
May
be parts of a consort
| |
| Galliard
for 2 lutes after Lavecchia
|
=
|
FIRST Ballet 46 SECOND
Ballet 47
|
Musically
unrelated to Johnson's 'Lavecchia' pavan and galliard, even though this
galliard and J's pavan are placed in juxtaposition in this source.
| |
| Goodnight
|
TG
|
TREBLE Ballet 85/3-86/1 GROUND
Dd.2.11 8v-9r/1
|
||
| Greensleeves
|
TG
|
TREBLE Folger 5r/1 Mynshall 3r/2-3v/1 GROUND Folger 5r/2
5 statements of an 8-bar Romanesca ground
|
||
| Ground
|
TG
|
GROUND
Marsh 419/4
|
||
| Ground
|
TG
|
GROUND
Marsh 419/5
|
||
| Heart
Opressed
|
TG
|
TREBLE Mynshall 2r/2
Rhythm signs are very confused.
|
Version
for solo lute in Le Roy 1574 77r
| |
| John
Come Kiss Me Now
|
TG
|
TREBLE Welde 10v-11 Cosens 69v-70v (?solo)
ML 11v-12 (?solo)
|
||
| La
Dolce Nenne
|
Dd.3.18
53/1
| |||
| Lady
Harcourt's Galliard
|
Dd.3.18
52v/2.
| |||
| Malt's
Come Down
|
TG
|
TREBLE
Dd.9.33 89v
|
||
| Merry
Mood
|
=
|
FIRST
Sampson 12r/2
|
||
| Nightingale
|
=
|
FIRST
Dd.3.18 22v/2
|
||
| Nutmegs
and Ginger
|
Dd.3.18
33/2
| |||
| Packington's
Galliard
|
=
|
FIRST Sampson 9r/1 Mynshall 9r Marsh 268 2764(2) [2v]-[3r] SECOND
Brogyntyn 19/2
|
||
| Passamezzo
[moderno] Pavan
|
=
|
FIRST Dallis 244-245/1 SECOND Dallis 245/2
Phalese 1563 62 [inv]
|
||
| Passamezzo
Pavan
|
TG
|
TREBLE Dd.3.18 42v-43v/1
3 statements of a 16-bar ground
|
||
| Passamezzo
Galliard
|
TG
|
TREBLE Dd.3.18 41v-42r
statements of a 16-bar ground
|
||
| Passamezzo
Galliard
|
TG
|
TREBLE
Dd.3.18 43v/2-44/1
|
||
| Primero
|
Dd.3.18
32v-33/1
| |||
| Quadran
Galliard
|
TG
|
TREBLE Pickeringe 12v-13r/1 Dd.3.18 6r/2 and 6v-7r Trumbull 11v-12r GROUND Pickeringe 13r/2 Pickeringe 8r/3 (identical to the version on 13r)
The Ground needs some adjustments in the second section to fit precisely with
the treble
|
||
| Quadran
Pavan
|
TG
|
TREBLE Pickeringe 9v-10r/1 Dd.3.18 5v-6r/1 Trumbull 10v-11r GROUND
Pickeringe 10r/2
|
||
| Robin
is to the greenwood gone
|
TG
|
TREBLE
Dd.3.18 11r
|
Although this treble is found in the duet section of Dd.3.18, Lyle
Nordstrom has suggested that the second part should be played on a bass viol
rather than a lute. Evidence for this includes the chordal first section of
the treble (unusual in a lute duet) and the presence of a compatible bass viol
part in Dd.5.20 3r. However, a reconstructed ground for a second lute
may be found in Tab.1, no.3
| |
| Rogero
|
TG
|
TREBLE Marsh 39 GROUND
Dallis 92/2
|
||
| La
Rossignoll
|
=
|
FIRST Pickeringe 8r/2 Board 6r/2 SECOND
Pickeringe 8v/1
|
||
| Squire's
Galliard / My Lord Strange's Galliard
|
=
|
SECOND Sampson 12v/2-13r
This part is clearly an arrangement the other half of which is lost,
since this part is incompatible for reasons of range and texture, with any of
the extant solo versions.
|
Walsingham
No.17 (c minor) Holmes No.? (g minor)
The Sampson part fits perfectly with the Walsingham consort
version, and the first lute can probably be reconstructed from these.
| |
| Sweet
Margaret
|
TG
|
TREBLE
Vilnius 22
|
||
| Tarleton's
Jig
|
Dd.3.18
53/2
| |||
| Treble
|
TG
|
TREBLE
Dd.9.33 54
|
||
| Treble
|
TG
|
TREBLE
Marsh 156/2-157
|
||
| Welladay
|
TG
|
GROUND
Ballet 104/6
|
||
| Mark
Anthony
|
Passamezzo
Pavan
|
TG
|
TREBLE
Marsh 369-375/1 Phalese 1563 72v-75v. GROUND Marsh 375/2
Phalese 1563 65/2 [inv].
|
|
| R
Ascue
|
Galliard
|
TG
|
TREBLE
Dd.9.33 88v
|
|
| Augustine
Bassano
|
Alfonso's
Pavan
|
Dd.3.18
36v
| ||
| Cotton
|
Goodnight
|
TG
|
TREBLE
Marsh 362-3
|
|
| Francis
Cutting
|
Short
Almain
|
TG
|
TREBLE
Dd.3.18 59r GROUND Pickeringe 14r/2
The two parts are not compatible, and appear to be from slightly different
pieces
|
|
| Francis
Cutting ?
|
French
Pavan
|
TG
|
TREBLE Vilnius 54v/2 GROUND
Vilnius 54v/3
|
|
| John
Danyel
|
Fancy
|
=
|
FIRST
Sampson 11r/2
|
|
| John
Danyel
|
Passamezzo
Galliard
|
TG
|
TREBLE Dd.3.18 62r-63r/1 GROUND Dd.3.18 63r/2
8 statements of a 16-bar ground
|
|
| John
Dowland
|
Fortune
my Foe
|
=
|
FIRST Dd.2.11 56/2 Dd.9.33 89
Probably a duet, as extant sources do not function as either solos or consort
parts. this implies there must be other sources
|
Consort
version?
Ballet 14r
|
| John
Dowland
|
Fortune
My Foe
|
TG
|
TREBLE
Dd.9.33 89
|
|
| John
Dowland
|
Frog
Galliard/ Now O Now
|
=
|
SECOND
Vilnius 21/1
|
|
| John
Dowland
|
Frog
Galliard/ Now O Now
|
TG
|
GROUND
Vilnius 22v/1
|
|
| John
Dowland
|
Giles
Hoby's Galliard
|
Herbert
10r/1
Hove 1612 52v/2
| ||
| John
Dowland
|
Lachrimae
arr. J. B. Besard
|
=
|
FIRST Besard 1617 7r/2 and 8r/2 SECOND
Besard 1617 7r/1 and 8r/1
|
Besard
1617 7/3 and 8/3 DIFFERENT VERSION:
Dd.3.18 16v-17/1
|
| John
Dowland
|
Lady
Rich's Galliard/ Dowland's Bells
|
TG
|
TREBLE Vilnius 21/1 GROUND
Vilnius 21/3
|
|
| John
Dowland
|
Lord
Willough-by's Welcome Home
|
=
|
FIRST Folger 9v/1 SECOND
Sampson 11v/2
|
|
| John
Dowland
|
Lord
Cham-berlain's Galliard
|
1
lute, 4 hands
|
FIRST
& SECOND Dowland 1597 sig.L2v
7th course at D
|
|
| John
Dowland
|
Mounsieur's
Almain
|
=
|
FIRST Add.2764(2) 12v/2 Dd.3.18 35v Welde 14v/2-15 SECOND Euing 19v
Mynshall 10/2
|
Schele
147/2-148/1 (lute) Vilnius 1r/3 (bandora)
Morley No.15
|
| John
Dowland
|
Orlando
|
Vilnius
1/1
Vilnius 1/2 (bandora)
| ||
| John
Dowland
|
Sir
John Smith's Almain
|
=
|
SECOND
Ballet 7
|
Schele
148/2 Allmande: Lute part for broken consort
|
| Alfonso
Ferrabosco
|
Spanish
Pavan
|
TG
|
TREBLE Pickeringe 10v-11r/1 Dd.3.18 14v-15r/1 GROUND Pickeringe 11r/2
6 statements of a 16-bar ground.
|
|
| Gastoldi
arr.?
|
Ballet
Questo Dolce Serene
|
=
|
FIRST Dolmetsch 162 Valerius 1626 263 SECOND
Dolmetsch 161v
|
|
| Johan
Leo Hassler
|
Intrada
|
=
|
FIRST Fuhrmann 1615 132/2 SECOND
Fuhrmann 1615 132/1
|
|
| Anthony
Holborne
|
Holborne's
Farewell
|
Dd.3.18
18
| ||
| Joachim
van den Hove ?
|
Duet
|
=
|
FIRST Hove 1601 75v-76v SECOND
Hove 1601 76-77 [inv]
|
|
| John
Johnson?
|
Cara
Cosa Folia
|
TG
|
TREBLE
Marsh 162-3, 165/2 irregular
|
|
| John
Johnson
|
Chi
Passa
|
TG
|
TREBLE Dd.3.18 7v-8r Marsh 151/3-153
3 divisions on a 32-bar ground. Various versions of the ground are in
Marsh and Willoughby
|
|
| John
Johnson
|
Delight
Pavan
|
TG
|
TREBLE Board 14v-15 GROUND
Dallis 84-85/1
|
Dd.3.1820v-21
and 59v-60 Trumbull 4v-5r
Vilnius 62v-63v/1
|
| John
Johnson
|
Delight
Pavan
|
=
|
FIRST Folger 14v-15r SECOND Brogyntyn 13/1
A second part was probably added to a solo; this arrangement may not be by
Johnson
|
|
| John
Johnson
|
Dump
|
TG
|
TREBLE Dd.3.18 3v/1 Marsh 144/3-145 31392 22v/1 GROUND Dd.3.18 3v/1 31392 22v/2 Marsh 144/2
13 divisions on a 4-bar ground. The ground is the first 4 bars of Dd.3.18.
|
|
| John
Johnson?
|
Dump
|
TG,
4th apart
|
TREBLE Marsh 150-51/1 GROUND Marsh 151/2
23 (?24) statements of a 2-bar ground.
|
|
| John
Johnson?
|
Dump
/ The Most Assured
|
TG
|
TREBLE Dd.3.18 71v-72r Schele 16/3 Thistlethwaite 2r-3r/1
23 (?24) statements of a 2-bar ground, the first 6 concordant with preceding
piece.
|
|
| John
Johnson
|
Flat
Galliard
|
TG
|
TREBLE Dd.3.18 22r Pickeringe 5v/1
The ground can be reconstructed from the version in Pickeringe below
|
|
| John
Johnson
|
Flat
Galliard
|
=
|
FIRST Pickeringe 5v/1 SECOND Pickeringe 5v/2-6r/1
Arrangement possibly not by Johnson
|
|
| John
Johnson
|
Flat
Pavan
|
=
|
FIRST Pickeringe 4v/2-5r/1 SECOND Pickeringe 5r/2 Trumbull 15r/1
An arrangement, possibly not by Johnson. Lute ii in Pickeringe lacks
3.5 bars.
|
Trumbull
10r (Lute) Dd.3.18 60v-61 Dd.9.33 90v-91
Folger 10
|
| John
Johnson
|
Flat
Pavan
|
TG
|
TREBLE Trumbull 17v-19r/1
Dd.3.18 21v
|
|
| John
Johnson?
|
The
French Galliard
|
TG
|
TREBLE
Marsh 148/3-149
|
|
| John
Johnson?
|
Go
Merrily While
|
TG
|
TREBLE Dd.3.18 40v-41r
5 divisions on a 12-bar ground. Possibly later than Johnson
|
|
| John
Johnson
|
Goodnight
and Good Rest
|
TG
|
TREBLE Dd.3.18 15v-16r Marsh 158-60 Marsh 26-7 (11 divisions only) Willoughby 3v-5 (6 divisions, the first 5 identical to Dd.3.18, the 6th confused. GROUND Willoughby 5v Dallis 16/1 Brogyntyn 7/1 Dd.2.11 86/2
16 divisions on an 8-bar ground. None of the grounds fits exactly.
|
|
| John
Johnson
|
Green
Garters
|
TG
|
TREBLE Dd.3.18 23v-24r
8 divisions on an 8-bar ground.
|
Holmes
(Viol) 6r
|
| John
Johnson?
|
Greensleeves
|
TG
|
TREBLE Dd.3.18 8v-9r GROUND Folger 5r/2
The ground is to a different setting, but fits well. 24 divisions on a 4-bar
ground alternating.
|
|
| John
Johnson?
|
Hunt's
Up
|
TG
|
TREBLE Dd.3.18 4v Folger 3v-4r/1 Trumbull 1v-2r/1 Board 2v/2-3r/1 GROUND Folger 4r/2 Trumbull 2r/2 Board 3r/2
Ground found with slight variations in Folger and Trumbull.
|
|
| John
Johnson
|
Lavecchia
Galliard
|
=
|
FIRST Wickhambrook 16r/1 Pickeringe 4r/2 SECOND Wickhambrook 16r/2 [inv] Pickeringe 4v/1
Brogyntyn 29/2
|
|
| John
Johnson
|
Lavecchia
Pavan
|
=
|
FIRST Wickhambrook 14/2and 15v/1 Pickeringe 4r/1 (incomplete) Ballet 45 Folger 12r Schele 143-144/1 SECOND Wickhambrook 15v/2 [inv]
Brogyntyn 28/2-29/1
|
Dd.3.18
61v
|
| John
Johnson ?
|
The
Leaves be Green / Browning
|
TG
|
TREBLE Pickeringe 14v-15r/1 Dd.3.18 17v Dd.9.33 63v-64r GROUND Pickeringe 15r/2
10 divisions on an 8-bar ground.
|
|
| John
Johnson
|
New
Hunt's Up
|
TG
|
TREBLE Dd.3.18 13v-14r Trumbull 15v-16r Welde 13r/2-14r/1 Marsh 183-6/1 GROUND Marsh 186/2
9 divisions on a 16-bar ground.
|
Marsh
397 (Bandora in G)
|
| John
Johnson
|
Passamezzo
Galliard
|
TG,
4th apart
|
TREBLE Marsh 154/1 GROUND Marsh 154/2-156/1
14 divisions on an 8-bar passamezzo moderno bass.
|
|
| John
Johnson
|
Passamezzo
Galliard
|
TG
|
TREBLE
Dd.3.18 2v
|
|
| John
Johnson ?
|
Passamezzo
Pavan
|
TG
|
TREBLE Dd.3.18 1v-2r Marsh 142-144/1 (similar but not identical treble) Mynshall 2v-3r/1 (similar but not identical) GROUND Ballet 85/2 Lvov 100-101v/1
4 statements over a 16-bar ground
|
|
| John
Johnson
|
Quadran
Pavan
|
TG
|
TREBLE
Add.2764(2) 11-11v/1
|
Dd.3.18
26v-27/1
|
| John
Johnson
|
The
Queen's Treble
|
TG
|
TREBLE Pickeringe 8v/2-9r/1 Folger 6v-7r/1 Dd.3.18 4r-3v/2 ML 4v-5/1 Schele 138-9 GROUND Pickeringe 9r/2 Folger 7r/2 Brogyntyn 7/1 Vilnius 62/2
14 divisions on a 4-bar ground. Brogyntyn contains two different
settings, the first = Pickeringe, the second = the ground in
Folger
|
|
| John
Johnson
|
Rogero
|
TG
|
TREBLE Dd.3.18 1r Mynshall 3v/2 Trumbull 25v/2 (incomplete) Ballet 90/2-91/1 (Last 9 measures of an otherwise unknown set of divisions) GROUND Trumbull 25v/1
5 divisions on an 8-bar ground
|
|
| John
Johnson
|
Sellenger's
Round
|
TG
|
TREBLE Dd.3.18 5r Marsh 182 Thysius 442/3
3 divisions on a 20-bar ground
|
|
| John
Johnson
|
Short
Almain (1)
|
TG
|
TREBLE Dd.3.18 9v-10r/1 GROUND Pickeringe 14r/2
7 divisions on an 8-bar ground
|
Holmes
Cittern 20v-21?
|
| John
Johnson
|
Short
Almain (2)
|
TG
|
TREBLE Dd.3.18 10v Pickeringe 13v-14r/1 GROUND Pickeringe 14r/2
6 divisions on an 8-bar ground
|
Holmes
Cittern 20v-21?
|
| John
Johnson
|
Treble
and Ground
|
TG
|
TREBLE ML 6v GROUND Brogyntyn 7/1
5 statements of an 8-bar ground.
|
|
| John
Johnson
|
Treble
and Ground
|
TG
|
TREBLE Board 1r/1 ML 5r/2 GROUND Board 1r/2
Bergamasca ground. A triple time parody of Johnson's 'Queen's Dump'.
|
|
| John
Johnson
|
Trenchmore
|
TG
|
TREBLE Marsh 139/1 Welde 11v/2-12r Dd.3.18 12v-13r Lodge 10r/2-10v/1 GROUND Marsh 139/2-141 Nn.6.36 33v-34 Welde 11v/1 (first 2 bars of treble)
29 divisions on a 2-bar ground. The version in Lodge may be different
|
|
| John
Johnson
|
Wakefield
on a Green
|
TG
|
TREBLE Marsh 146-148/1 Dd.3.18 11v-12r/1 GROUND Marsh 148/2
22 divisions on a 4-bar ground
|
|
| Ellis
Lawrey
|
The
Marigold
|
TG
|
TREBLE Dd.3.18 23r/1 GROUND Dd.3.18 23r/2 .
Irregular ground.
|
|
| John
Marchant /Francis Pilkington
|
Echo
Almain
|
=
|
FIRST Brogyntyn 31 SECOND
Sampson 11v/1
|
|
| John
Marchant
|
Fancy
|
=
|
FIRST
(?) Hirsch 6v/1 SECOND (?)
Brogyntyn 15
|
|
| John
Marchant
|
Fancy
|
=?
|
FIRST
Thistlethwaite 77v/2-78r
|
|
| Richard
Nicholson
|
The
Jew's Dance
|
Dd.3.18
48/2
| ||
| Peter
Phillips
|
Philips
Pavan
|
=,
5th apart
|
FIRST Dallis 82 SECOND Dallis 83/1
Many solo concordances
|
Dd.3.18
18v-19/1
|
| Walter
Porter
|
Galliard
|
Dd.3.18
49/2
| ||
| Walter
Porter?
|
Pavan
|
Dd.3.18
48v-49/1
| ||
| Richard
Reade /Anthony Holborne
|
Reade's
Almain
|
=
|
FIRST Dd.3.18 19/2
Dd.2.11 70/3
|
Holmes
No.? Dd.3.18 19/2
|
| Richard
Reade
|
Battle
|
Dd.3.18
31/1
| ||
| Richard
Reade
|
Fancy
|
Dd.3.18
33v-34/1
| ||
| Richard
Reade
|
Dr
James's Galliard
|
Dd.3.18
34/3 Dd.3.18 58v
Dd.5.78.3 25/2 and 45/2
| ||
| Richard
Reade
|
Galliard
|
=
|
SECOND
Dd.3.18 38v/1
|
Dd.3.18
38v/1
|
| Richard
Reade
|
Galliard
|
Dd.3.18
22v/1
| ||
| Richard
Reade
|
Reade's
6th Galliard
|
Dd.3.18
27/2
| ||
| Richard
Reade
|
Reade's
8th Galliard
|
Dd.3.18
30
| ||
| Richard
Reade
|
Pavan
|
=
|
FIRST
(Orpharion) Dd.3.18 55/2 SECOND
Dd.3.18 54v/1
|
|
| Richard
Reade
|
W
& V Pavan
|
=
|
FIRST
(Orpharion) Dd.3.18 55/3 SECOND
Dd.3.18 54v/2
|
|
| Richard
Reade
|
Reade's
1st Pavan
|
Dd.3.18
37-36v
| ||
| Richard
Reade
|
Reade's
2nd Pavan
|
Dd.3.18
37v-38/1
| ||
| Richard
Reade
|
Reade's
3rd Pavan, Flat
|
Dd.3.18
39-38v/2
| ||
| Richard
Reade
|
Reade's
4th Pavan
|
Dd.3.18
39v
| ||
| Richard
Reade
|
Reade's
5th Pavan
|
Dd.3.18
27v
| ||
| Richard
Reade
|
Reade's
6th Pavan
|
Dd.3.18
28
| ||
| Richard
Reade
|
Dr
James's Pavan / Reade's 7th Pavan
|
Dd.3.18
12/2
Dd.3.18 28v-29/1
| ||
| Richard
Reade
|
Reade's
8th Pavan
|
Dd.3.18
29v
| ||
| Richard
Reade
|
Reade's
9th Pavan
|
Dd.3.18
30v
| ||
| Richard
Reade
|
Reade's
10th Pavan
|
Dd.3.18
55v-56/1
| ||
| Richard
Reade
|
Reade's
11th Pavan
|
Dd.3.18
56v-57/1
| ||
| Richard
Reade
|
Eglantine
Jig
|
Dd.3.18
34/2
| ||
| Richard
Reade
|
Jig
|
=
|
?FIRST
Dd.3.18 31/2
|
|
| Richard
Reade
|
Reade's
1st Jig
|
Dd.3.18
24/2
| ||
| Richard
Reade
|
Reade's
2nd Jig
|
Dd.3.18
15/2
| ||
| Richard
Reade
|
Reade's
3rd Jig
|
=
|
FIRST
Dd.3.18 57/2
|
|
| Richard
Reade
|
Sweet
Briar
|
Dd.3.18
32/2
| ||
| Richard
Reade
|
Volt
|
Dd.3.18
38/2
| ||
| Richard
Reade
|
When
Phoebus
|
Dd.3.18
29/2
| ||
| Thomas
Robinson
|
Fancy
|
=
|
FIRST Robinson 1603 22 SECOND Robinson 1603 23 [inv]
Both lutes 7th course at F
|
|
| Thomas
Robinson
|
Passamezzo
Galliard
|
TG
|
TREBLE Robinson 1603 21/1 GROUND Robinson 1603 21/2
Both lutes 7th course at D
|
|
| Thomas
Robinson
|
Plainsong
|
=
|
FIRST Robinson 1603 18 SECOND
Robinson 1603 19 [inv]
|
|
| Thomas
Robinson
|
The
Queen's Goodnight
|
TG
|
TREBLE Robinson 1603 13/1 GROUND
Robinson 1603 13/2
|
|
| Thomas
Robinson
|
A
Toy/Bo peep
|
=
|
FIRST Robinson 1603 26 SECOND Robinson 1603 27 [inv] Sampson 12v/1 (simplified)
Both lutes 7th course at D
|
|
| Thomas
Robinson
|
Twenty
ways upon the Bells
|
TG
|
TREBLE Robinson 1603 14/1 GROUND Robinson 1603 14/2
Second lute 7th course at D
|
|
| Philip
Rosseter
|
La
Bergera Galliard/ The Prince of Portugal's Galliard
|
=?
|
FIRST? Dd.3.18 41/2 Board 23/1
Valerius 1626 86
|
CONSORT? Dd.3.18 41/2 Board 23/1
Valerius 1626 86
|
| Nicholas
Strogers
|
In
Nomine Galliard
|
=,
4th apart
|
FIRST Trumbull 6r/2 Hirsch 3r Dd.9.33 60v Dallis 93 (simplified version) SECOND
Dallis 94/1 (simplified version)
|
Morley
No.? Holmes No.? Cittern 26r/Viol 3v/Recorder 3v
Browne 15r
|
| Nicholas
Strogers
|
In
Nomine Pavan
|
=,
4th apart
|
FIRST Trumbull 16v-17r/1 Hirsch 2v SECOND
Dallis 81
|
Morley
No.14
Bass lute part evidently added to an existing solo
|
| ?
|
?
|
TG
|
TREBLE ML 6v GROUND
Brogyntyn 7/2
|
|
| ?
|
?
|
TG
|
GROUND
Brogyntyn 7/3
|
Eight-bar
ground of two four-bar strains in B-flat
|
[1] I am indebted to Lynda Sayce for allowing me to use her notes on the sources of English duet music, and for looking through this list and adding her own detailed comments.
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