From: [email-masked] (John H Robinson)
Date: Fri, 25 Feb 1994 17:31:12 GMT

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>From: [email-masked] (John H Robinson)
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>Here is the first of my catalogues for individual lute composers, I plan to 
do Jacob Reis and Diomedes Cato soon. Please let me know of any additions 
and corrections, so that we can get the complete list between us someday! 
Let me know if you want more details of the sources quoted. Inset titles are 
concordances whereas cf. is used to denote a cognate version. When I say I 
haven't seen an incipit, then I don't know if a particular piece isn't a 
concordance or cognate of another piece on hte list. [Crawford x] refers to 
Tim Crawford's modern edition of 30 pieces by Laurencini published by The 
(English) Lute Society. Dates like 1598<10> refer to Brown's Instrumental 
Music before 1600, /1 is number of piece in Brown.
>                                                                John
>
>LAURENCINI OF ROME, EQUITIS ROMANI, LORENZINO, CAVALLIERI DI LIUTO
>(John Robinson February 1994)
>
> 
>1 Preludium Laurencini                          Besard 1603 f.1
>2 Prelud Laurenc                                Besard 1603 f.1v i 
>3 Praeludium Laurencini [Crawford 1]            Besard 1603 f.1v ii     
>4 Prelud Laurenc                                Besard 1603 f.2 i 
>5 Praelud Laurencini [Crawford 2]               Besard 1603 f.2 ii      
>        Praeludium Laurencini                   Berlin 40141 f.27
>        Preludium                               Cosens Add.3056 f.26
>        Fant                                    Dolmetsch II.B.1 p.262
>        Prelude                                 Prague IV.G.18 f.22
>        cf. Preludii                            Reymann 1598<10>/1
>6 Prelud Laurencini                             Besard 1603 f.2v i  
>7 Praelud Laurenc [Crawford 3]                  Besard 1603 f.2v ii      
>8 Praelud Eiusdem [Laurenc][Crawford 4]         Besard 1603 f.2v iii    
>        Tiento Cardone                          Berlin 40032 f.81v 
>9 Praelud Laurenc [Crawford 5]                  Besard 1603 f.3         
>10 Praelude Equitis Romani                      Besard 1603 f.3v
>        Fantasia equitis Romani excellentissima Berlin 40143 ff.39v-40v
>11 Prael Laurenc [Crawford 17]                  Besard 1603 f.6v 
>12 Prael Laurenc [Crawford 18]                  Besard 1603 f.7  
>        Tocata [6 bars, last 3.5 of Besard]     Prague IV.G.18 f.45
>13 Preamb Laur                                  Besard 1603 f.7v 
>        Preludium                               Cosens Add.3056 ff.28v-29
>        prelude                                 Montbuysson ff.38v-39
>        Prelude 93 [opening bars only]          Mertel 1615 p.43
>        cf. Galliarda                           Besard 1603 ff.110v-111 [etc.]
>14 Prael Laurenc                                Besard 1603 f.8
>        A Fancye                                Cosens Add.3056 f.31v
>        pr'ludium                               Montbuysson ff.19v-20
>        Prelude 99                              Mertel 1615 p.46
>15 Prael Laurenc [Crawford 19]                  Besard 1603 f.8v 
>16 Prael Laurenc [Crawford 24]                  Besard 1603 f.9 
>        prelude                                 Montbuysson ff.67v-68
>        Preludia 73 (from bar 3)                Mertel 1615 p.31 
>17 Pr'ambulum Equitis Rom                       Basel F.IX.70 f.15 iv
>        Prelud Equitis Romani                   Besard 1603 f.10v
>        Fuga equitis Romani                     Berlin 40143 ff.33v-34
>        Exercitium Equitis Romani               Cosens Add.3056 ff.29v-30 
>        Preambulum eotis aur.
>                Laurencini eiuis Romani         Hainhofer Book III f.7v
>        Toccata / Tocata                        Prague IV.G.18 ff.41v-43
>18 Prael Laurenc [Crawford 13]                  Besard 1603 f.11 
>        Exercitium                              Cosens Add.3056 f.30
>        Preludiu                                Fuhrmann 1615 p.3
>19 Prael Laurenc [Crawford 14]                  Besard 1603 f.12 i 
>20 Prael Laurenc [Crawford 12]                  Besard 1603 f.12 ii 
>        Altro recercare del primo tuono per 7   V.Galilei 1584<5>/45 f.88
>21 Prael Laurenc [Crawford 25]                  Besard 1603 f.12v i 
>        [subplementum folii]                    Fuhrmann 1615 p.2 
>22 Prael Laurenc [Crawford 26]                  Besard 1603 f.12v ii  
>23 Praeludium Laurencini Romani                 Fuhrmann 1615 p.1 
>24 Recercata del Lorenzino (ab init.)           Berlin 40032 f.111-111v 
>25 Fantasia Laurencini(cf.Ness.38)[Crawford 6]  Besard 1603 f.13v 
>        Fantasia                                Berlin 40032 f.77v
>26 Fantasia Laurenc [Crawford 7]                Besard 1603 f.14 
>        X Fantasia MN                           Basel F.IX.70 p.47
>        Fantasia Laurencini                     Cosens Add.3056 f.21v 
>27 Fantasia Laurenc [Crawford 20]               Besard 1603 f.18v 
>        cf. Fantasia de Luys Maymon             Berlin 40032 pp.214-5 
>28 Fantasia Laurenc [Crawford 21]               Besard 1603 f.19 
>        cf. [wta]                               Siena f.21 
>        Piero (a tone higher)                   Siena ff.6-6v
>        Recercar ottavo                         Milano VII 1548<4>/21 sig.E2v
>        Fantasie                                Belin 1556<1>/1 sig.Aii v
>        cf. R[icercare]. IULIO DA MODENA        Arrivabene 1540<3>/13 sig.P1
>        R[icercare] IVLIVS DE MODENA            Moderne 154?<6>/15(Slim 17) 
sig.C3
>        R[icercare] Adrian Willart              Moderne 154?<6>/18 (Slim 
20) sig.D1
>        Otra[tiento]Sesto tono[Antonio?Cabezon] Henestrosa 1557<2>/52 f.31v 
>29 Fantasia Laurenc [Crawford 22]               Besard 1603 f.20 
>        Tiento de Sesto Tono L                  Berlin 40032 f.78 
>30 Fantasia Laurenc                             Besard 1603 f.22
>        Fantasia                                Schele p.137 
>        cf. Fantasia (from bar 6)               Siena f.72
>        [wta]                                   Berlin 40032 p.51v
>31 Fantasia Laurenc                             Besard 1603 f.26v
>        Fantasia (4) Composed by the most famous
>                and divine Laurencini of Rome   R Dowland 1610 sig.F2v-G1
>        [Rececare a4 voci di B.M.]              Galilei 1584<5>/48 f.116
>        Fantasia                                Raimondo ff.46v-49 
>32 Fantasia Equitis Romani                      Besard 1603 f.27v
>        Fantasia (2) Composed by the most
>                famous, the KNIGHT of the Lute  R Dowland 1610 sig.F1v-F2
>        Fantasia Lorenzino                      Herbert f.14v
>33 Fantasia Equitis Romani                      Besard 1603 f.28v 
>34 Toccata Lorenzino                            Herbert f.58v  
>35 Tochata del Laurenzino                       Berlin 40032 f.81
>36 Tochata di Laurenzino                        Berlin 40032 f.112v
>37 Pass'e mezo Laurencini in G sol
>          re ut per b molle [Crawford 9]        Besard 1603 f.83v 
>38 Passameza 2 ab Equite Rom comp               Besard 1603 f.84
>39 [Passemezo] Ripresa ex Laurencino.           Besard 1603 f.101
>40 Pass'e mezo Laurencini in b
>        fa b mi per b molle [Crawford 27]       Besard 1603 f.101v 
>41 [Passemezo in contra alto] Decima 
>        sesta parte Laurencino                  Hainhofer Book V f.11
>42 Passo e mezzo 1 p Eques Romanus              Hainhofer Book V f.53
>43 Passo e mezo di Lorenzino en bassus b molle  Berlin 40032 f.56v
>44 Passo e mezo di Lorenzino                    Berlin 40032 f.65
>45 Passemezzo in Ffa ut Bdur Laurentzini Romani Fuhrmann 1615 p.68 
>        Passamezzo di Lorenzino                 Donaueschingen G.1.4.I 
ff.41v-42
>46 Passomezo Laurentii [not seen incipit]       Basel F.IX.70 f.118
>47 Galliarda Equitis Romani                     Besard 1603 f.107v
>        Galliarda                               Herold ff.22-23
>        cf. Gagliarda VI                        Piccinini 1623 pp.60-61
>48 Galliarda Laurenc [Crawford 28]              Besard 1603 f.117 
>49 Galliarda Laurencini[Crawford 15]            Besard 1603 f.121 
>50 Galliarda Laurencini [Crawford 29]           Besard 1603 f.124v i 
>51 Galliarda Laurencini [B flat][Crawford 30]   Besard 1603 f.124v ii    
>        Galliarde [G]                           Dolmetsch II.B.1 ff.89v-90
>52 Galliarda Laurencini [Crawford 16]           Besard 1603 f.125v 
>53 Galliarda Laurencini [Crawford 10]           Besard 1603 f.126v 
>54 Galliarda Laurencini                         Besard 1603 f.127
>55 Galliarda Laurencini                         Besard 1603 f.127v
>56 Gagliardi di Lorenzino                       Berlin 40032 f.117v
>57 Gagliarda Eqtis Romanj                       Hainhofer Book VI ff.5v-6
>58 Gagliarda Romanescha Eqtis Romanj            Hainhofer Book VI ff.9-11
>59 Gagliarda bella Laurencinus                  Hainhofer Book VI ff.14v-15
>60 Gagliarda bella Laurencinj                   Hainhofer Book VI f.20
>61 La medisima [Laurencinj] in un'altro tono    Hainhofer Book VI ff.20-20v
>62 Gagliarda bella Laurencinj                   Hainhofer Book VI ff.20v-21
>63 La medisima [Laurencini] in un'altro tono    Hainhofer Book VI ff.21-21v
>64 Gagliarda di Lorenzino / Santino             Berlin 40032 f.138
>65 Courante 12 Laurentzini [Crawford 23]        Fuhrmann 1615 pp.169-70 
>        Courante 2 laurenzini                   Leipzig II.6.15 p.256
>66 Branle de Laurencini [Crawford 11]           Besard 1603 f.140v 
>        Une brande de seignr Laurenzin          Hainhofer Book XI ff.4-4v 
>67 Branle quondam Laurenzini 
>        nuncupatum nunc vero a I.I.B.           Besard 1617/4
>68 Romanescha in tenore Eqtis Romanj            Hainhofer Book VIII f.9v 
>69 Tenore di Lorenzino                          Berlin 40032 f.12
>70 Romanesca di Lorenzino                       Berlin 40032 f.62v
>71 Matachin consus Differencias di Lorenzino    Berlin 40032 f.135v
>72 Poiche in'Inulta amore
>                        Transpositio Laurencini Besard 1603 f.37v 
>73 Vestius i colli Transpositio Laurencini      Besard 1603 ff.43v-44
>        cf.[ab init.]                           Berlin 40032 p.287
>           Contra puncto sopra Vestius Colli    Schele pp.134-135
>           Vestiva i Colli                      Raimondo ff.82v-85
>           Vestiua i colli/ Gianetto Palestrina Hainhofer II ff.38v-39
>           Vestiu i Collj                       Thysius ff.182-182v
>           Vestiv'i colli                       Adriansen 1584<6>/30 
>74 Susanne un Jour [Lassus]
>           transpositio Laurencini [Crawford 8] Besard 1603 f.57v-58 
>        Susana                                  Berlin 40032 p.120
>        Susanna del Cavagliere                  Raimondo ff.58v-63
>75 Chi fara fede Striggio
>                Transpositio Laurenzino         Berlin Mus.Ms.autog. Hove 
ff.71v-76v
>
>Doubtful ascriptions:
>
>76 Capriccio del Sn Santino da Parma / Fantasia di M Lorenzino Romanese/ 
'Kowalis (Cavaliere?)
>                Lorenzi' in HebrewD             onaueschingen G.1.4.III 
ff.25v-26  
>77 Fantasia di Lorenzino                        Berlin 40032 f.76v  
>        Fantasia Diomedes                       Besard 1603 f.29v
>78 Fantasia Cavallieri di Liuto                 Herbert f.75v
>79 Fantasia Cavallieri di Liuto                 Herbert f.78v 
>80 Final Cavaliero maestro di Roma              MS addn. to Sarau copy of 
Bianchini 1546<5>
>81 Gagliarda de Cavaglier                       Raimondo ff.63v-65
>82 Gagliarda de Cavaglier                       Raimondo ff.85v-87
>83 Gagliarda de Cavaliero de liuto              Pesaro Pc.40a/7346a ff.11v-12 
>84 Gagliarda de Cavaliere [not seen incipit]    Paris Res.Vmd.29 ff.5v-6
>85 Passemezo Laurenz A.F. [not seen incipit]    Basel F.IX.70 f.232 
>86 Kowaly (Cavaliere?)                          Leipzig II.6.15 p.520-1
>87 Cosi le chiome Secunda pars [1st part Laur]  Besard 1603 ff.44v-45
>        Cosi le chiome                          Berlin 40032 p.288

email:        [email-masked]
'phone:       o991 285 2482             0991 222 6976
snail  mail:  John H. Robinson          Dept.Immunology
              7 Rectory Drive,          Medical School
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