Chapter | Short Title | paragraphs |
| Quantz fingering 1 | |
| Quantz fingering 2 | |
| Rudall and Rose simple system fingering | |
| Contents, Illustrations, Papers Quoted, and Authors | |
PART I | A Sketch of the Elements of Acoustics |
I | General View of Sound | 1-25 |
II | On the Vibrations of Solid Bodies | 26-65 |
III | On the Production of Musical Sound in Tubes | 66-113 |
IV | On the Vibrations of Columns of Air in Tubes | 114-171 |
V | On Simple and Composite Sounds | 172-198 |
VI | On Quality of Tone, and the Causes of its Variety | 199-240 |
VII | On the Functions of the Tube | 241-249 |
VIII | On Scales and Temperment | 250-290 |
IX | On Musical Pitch | 291-300 |
PART II | The Construction of the Flute |
X | On the Flutes of the Ancients | 301-307 |
XI | On the Flute-tube and its Various Details and Accessories . . . | 308-367 |
XII | On the Fingering and Machinery of the Flute | 368-396 |
XIII | A Century and a Half of the Early Life of the Transverse Flute | 397-411 |
XIV | A History of the Flute from 1660 to 1827 (16 meg) | 412-560 |
XV | The Latest Phases of the Development of the Flute (17 meg) | 561-688 |
PART III | The Art of Flute Playing |
XVI | On the Study of Music, and the Selection and General Management of the Flute | 689-709 |
XVII | Position of the Player, Supporting of the flute, Action of the Fingers | 710-721 |
XVIII | On Sound Production | 723-780 |
XIX | On Fingering (6 meg) | 781-796 |
XX | On Time, Accent, Emphasis | 797-816 |
XXI | On the Various Kinds of Articulation, Brilliant Execution | 817-829 |
PART IV | Biographical and Critical Notices of Sixty Eminent Flute Players | |
XXII | Players on the flute with one or two keys. Philbert to Blavet. | 830-840 |
XXIII | Players on the flute with Four Keys and Upwards. (18 meg) | 841-935 |
Index | Index | |